Stylus Luxurians
Yoann Moulin
These are fine performances and consistent ones. Moulin is a subtle and thoughtful interpreter, especially in the more serious works. He is precise but not wooden, and the passagework is crisp...
Stylus Luxurians
Yoann Moulin
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These are fine performances and consistent ones. Moulin is a subtle and thoughtful interpreter, especially in the more serious works. He is precise but not wooden, and the passagework is crisp...
About
For this second part of his anthology of seventeenth-century German harpsichord music, Yoann Moulin takes as his starting point the famous competition organised when Weckmann and Froberger met at the court of Dresden. It was in the 1650s that the influences of the French style were grafted onto models drawn from Italian music. The compositions of this period appear to us in their infinite variety, as illustrated here by the notion of stylus luxurians.
Contents and tracklist
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
- Yoann Moulin
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Awards and reviews
May/June 2022
These are fine performances and consistent ones. Moulin is a subtle and thoughtful interpreter, especially in the more serious works. He is precise but not wooden, and the passagework is crisp throughout.
