Special offer. Tartini: Violin Concertos
Chouchane Siranossian (violin), Venice Baroque Orchestra, Andrea Marcon
Awards:
-
Presto Editor's Choice, March 2020
There’s a wonderfully spontaneous, almost rough-and-ready quality to these performances: resin flies and rhythms swing in the stomping gigas, whilst the mesmerising siciliana of the first concerto...
Special offer. Tartini: Violin Concertos
Chouchane Siranossian (violin), Venice Baroque Orchestra, Andrea Marcon
Purchase product
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model
Awards:
-
Presto Editor's Choice, March 2020
There’s a wonderfully spontaneous, almost rough-and-ready quality to these performances: resin flies and rhythms swing in the stomping gigas, whilst the mesmerising siciliana of the first concerto...
About
French violinist Chouchane Siranossian tackles a programme of extremely virtuosic concertos that few Baroque violinists dare to face. Thanks to her technical gifts and to partners ideally suited to this repertory - the Venice Baroque Orchestra and its conductor Andrea Marcon, a specialist in the Italian Baroque style - she takes up the challenge with brio.
Contents and tracklist
- Andrea Marcon, Venice Baroque Orchestra, Chouchane Siranossian
- Andrea Marcon, Venice Baroque Orchestra, Chouchane Siranossian
- Andrea Marcon, Venice Baroque Orchestra, Chouchane Siranossian
- Andrea Marcon, Venice Baroque Orchestra, Chouchane Siranossian
- Andrea Marcon, Venice Baroque Orchestra, Chouchane Siranossian
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
-
Presto Editor's ChoiceMarch 2020
March 2020
There’s a wonderfully spontaneous, almost rough-and-ready quality to these performances: resin flies and rhythms swing in the stomping gigas, whilst the mesmerising siciliana of the first concerto on the album is full of chromatic twists and turns that wouldn’t sound out of place in music written two centuries later.
23rd February 2020
[Siranossian plays] with “diabolical” virtuosity and a rich, expressive palette in the aria-like slow movements. Superb.
