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Liszt: Transcendental Studies, S139 Nos. 1-12

Dinara Klinton (piano)

Liszt: Transcendental Studies, S139 Nos. 1-12
[this account] holds its own against all comers…there is no lack of drama and physicality in her playing: when Liszt requests 'il piu forte possibile' in 'Mazeppa', for instance, Klinton is...

Liszt: Transcendental Studies, S139 Nos. 1-12

Dinara Klinton (piano)

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[this account] holds its own against all comers…there is no lack of drama and physicality in her playing: when Liszt requests 'il piu forte possibile' in 'Mazeppa', for instance, Klinton is...

About

What if you did not know anything about this artist, who has devoted her second CD to Franz Liszt's Études d'exécution transcendante? Would that make any difference when you hear this new GENUIN CD? Young pianist Dinara Klinton's playing sweeps over us like a force of nature, amazes her listeners and inspires them with enthusiasm. It seems that jury members from over a dozen international competitions have felt the same way, otherwise Dinara Klinton would not have won them all... Go ahead and hear for yourself - but make sure you hold onto your seat!

Contents and tracklist

No. 1 in C Major "Preludio"
Track length0:57
No. 2 in A Minor "Fusées"
Track length2:23
No. 3 in F Major "Paysage"
Track length4:58
No. 4 in D Minor "Mazeppa"
Track length7:42
No. 5 in B-Flat Major "Feux follets"
Track length3:40
No. 6 in G Minor "Vision"
Track length5:29
No. 7 in E-Flat Major "Eroica"
Track length4:49
No. 8 in C Minor "Wilde Jagd"
Track length5:41
No. 9 in A-Flat Major "Ricordanza"
Track length11:14
No. 10 in F Minor "Appassionata"
Track length4:57
No. 11 in D-Flat Major "Harmonies du soir"
Track length9:26
No. 12 in B-Flat Minor "Chasse-neige"
Track length5:53

Awards and reviews

April 2016

[this account] holds its own against all comers…there is no lack of drama and physicality in her playing: when Liszt requests 'il piu forte possibile' in 'Mazeppa', for instance, Klinton is happy to oblige and thunders with the best of them…and if deft fingerwork were the only attribute needed for these wonderful tone-poems, then the leggiero triplets in [Etude No. 2] will surely satisfy all but the most picky of Lisztians…a most musical account of Liszt's masterpiece

Pianist Magazine June 2016

Any pianist who can get through these Liszt etudes can safely be labelled a technical wizard. This artist deserves her moment in the limelight
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