Stephen Hartke: The Ascent of the Equestrian in a Balloon
Boston Modern Orchestra Project, Gil Rose
Awards:
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The New York Times, Recordings of the Year 2017
This exciting recording of four works by Stephen Hartke, written over some 30 years, confirms that he is one of the most distinctive and important living composers. If the title of “The Ascent”...
Stephen Hartke: The Ascent of the Equestrian in a Balloon
Boston Modern Orchestra Project, Gil Rose
Purchase product
Awards:
-
The New York Times, Recordings of the Year 2017
This exciting recording of four works by Stephen Hartke, written over some 30 years, confirms that he is one of the most distinctive and important living composers. If the title of “The Ascent”...
About
The whimsically titled The Ascent of the Equestrian in a Balloon is a perfect window into the mind of composer Stephen Hartke, whose boundless imagination and creativity is represented by four works in this latest release from BMOP/sound. The inspiration for Ascent was a quirky, surreal 18th-century woodcut, and it’s a playful piece written in celebration of the composer’s two-year-old son’s birthday. Spanning a period of three decades, the other works on the disc cover a range of characters and influences. Alvorada, subtitled “three madrigals for string orchestra,” is a melodic, polyphonic exploration of medieval lyric poetry. A Brandenburg Autumn, written for the Orpheus Chamber Orchestra’s “New Brandenburgs” commissioning project, is a dialogue, from a modern perspective, with Bach’s groundbreaking orchestral works. Muse of the Missouri is rooted in a sense of place: the celebrated fountains of Kansas City, MO, where the composer has many friends and colleagues. The performers of the Boston Modern Orchestra Project, led by Gil Rose, shine in both small and large ensemble groupings.
Awards and reviews
-
The New York TimesRecordings of the Year 2017
New York Times 13th December 2017
This exciting recording of four works by Stephen Hartke, written over some 30 years, confirms that he is one of the most distinctive and important living composers. If the title of “The Ascent” doesn’t grab you, the breathless, fractured, skittish music will.
