Browse: Stanford (composer), Magnificat & Nunc dimittis settings

Stocked with female voices rather than boy trebles, the Trinity choir attack this repertoire with a brisk attack and mature aplomb under Stephen Layton’s sensitive direction. There is so much... — BBC Music Magazine, September 2017, 4 out of 5 stars More…

The mean old saying, 'Those who can, do, and those who can't, teach', would have withered in the presence of Stanford; and no doubt one of the reasons why he was such a great teacher is that... — Gramophone Classical Music Guide, 2010 More…

It’s sad that Nethsingha’s departure means that the next volume will be the last. I can’t think of a greater or more apt epitaph to the music director’s time at St John’s. — Gramophone Magazine, May 2023 More…

The ensemble rides that acoustic knowingly, using its echo and harbouring its resonance, but the anatomy of its sound is as distinctive as it is lopsided: trebles capable of pinpoint accuracy,... — Gramophone Magazine, July 2020 More…

Hill and the Winchester Choir are superb. The choral tone is luscious, the discipline outstanding, the recording captures the sumptuous acoustics of the cathedral without blurring the musical... — American Record Guide More…

How does one bring freshness to 'Praise to the Lord' or 'For lo I raise up'? The answer would seem to be group experience, for Benjamin Nicholas's soloists all come from the ranks of the choir... — International Record Review, July/August 2011 More…