Friends with Monsters

She adroitly weaves her songs into the distinctive quadrants of the night, with four interludes - the melancholic, reflective mood of ‘Twilight’, the frustration of ‘Midnight’, the semi-delirious... — Jazzwise, March 2022, 4 out of 5 stars More…

Release Date: 12th Nov 2021
Catalogue No: WR4780
Label: Whirlwind Recordings
Length: 48 minutes

Presto Recordings of the Year

Finalist 2021

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Nishla Smith: Twilight

Work length2:31

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Friends with Monsters

Work length6:49

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Julian

Work length6:40

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Midnight

Work length1:36

Nishla Smith, Joshua Cavanagh-Brierley

Rodgers, R: State Fair: It Might As Well Be Spring

Work length7:58

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Starlight

Work length4:32

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: 3 A.M.

Work length1:37

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Home

Work length5:31

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: I Want to Make You Happy

Work length5:36

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Dawn

Work length1:11

Nishla Smith, Joshua Cavanagh-Brierley

Nishla Smith: Up

Work length4:44

Nishla Smith, Joshua Cavanagh-Brierley

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Interview, Nishla Smith on 'Friends With Monsters'

13th November 2021

The Australian-born, Manchester-based vocalist and songwriter speaks to us about her personal new record Friends With Monsters, cross-media collaboration and her love of storytellers.

Singer Nishla Smith creates vivid, enigmatic stories through sound, her voice stretching from melancholic sweetness through to dark intimacy. Her debut album 'Friends with Monsters' confirms Smith as a major new vocal talent and sees the vocalist's affinity for inventive narratives extended over the span of a full album.

The Australian performer travelled via Berlin to eventually settle in Manchester and is joined here by some of the city's most talented improvisers. Richard Jones and Johnny Hunter cover piano and drums respectively, whilst bassist Joshua Cavanagh-Brierley and trumpeter Aaron Wood add graceful touches to complete the quintet's intimate feel. Smith's depictions of night-time have an enigmatic quality, inviting listeners on an atmospheric journey but all the while pointing to something greater.

Smith's work moves swiftly through genres, driven by her unique artistry. A City Music Foundation artist, she has received commissions from Manchester Collective and Opera North, as well as Manchester Jazz Festival and Jazz North. As co-creator of theatre company Ulita, she also creates collaborative pieces that blend theatre, music and visual arts. 'Friends with Monsters' continues that theatrical drive - "I'm a very natural storyteller, I just love to tell stories. I find myself weaving everyday events into tales that are very narratively pleasing."

Set over the course of a single evening, 'Friends with Monsters' explores changing states of insomnia, informed by Smith's own sleepless nights. It's realised in four distinct sections; each is introduced by a scene-setting interlude. Delving deeper into the dreamy world of Smith's storyland rewards greatly.

Reviews

March 2022

She adroitly weaves her songs into the distinctive quadrants of the night, with four interludes - the melancholic, reflective mood of ‘Twilight’, the frustration of ‘Midnight’, the semi-delirious state of ‘3am’, the sense of relief at ‘Dawn’ which finally offers the hope of sleep - acting as useful framing devices.

January 2022

Insomnia can captivate even when we’re desperately trying to escape its grip formuch-needed physical, mental and emotional relief. Finding the artistic allure to pull listeners in this often hellish terrain, then crafting emotional and imaginative beauty is a lofty task. Australian-born and U.K.-based singer Nishla Smith accomplishes the feat winningly.

Friends with Monsters

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Interview, Nishla Smith on 'Friends With Monsters'

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Friends with Monsters

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