Further Reading
25th June 2021
The Nottingham-based saxophonist, composer and bandleader debuts his ambitious Jazz Orchestra project with an excellent full-length debut, including a three-part jazz suite inspired by the East Midlands lace industry.
Saxophonist and composer Julian Siegel is back for his fourth release on Whirlwind. Tales from the Jacquard is his most ambitious musical feat to date, assembling the stellar forces of the Julian Siegel Jazz Orchestra. Following the acclaimed Julian Siegel Quartet release Vista and the influential co-led Partisans album Nit de Nit, Siegel solidifies his reputation as one of Europe's most celebrated artists working across jazz and improvised musics. Siegel has appeared as a member of some of the great large ensembles he lists Hermeto Pascoal, Mike Gibbs, Kenny Wheeler, Django Bates and NDR Bigband amongst extensive performing credits. Now, the instrumentalist turns leader: Tales from the Jacquard is Siegel's first record at the helm of a large ensemble.
The album is a long time in the making Siegel pairs 'Jacquard', a Derby Jazz commission from 2017, with a selection of charts originally written for small band arranged for the specially formed Jazz Orchestra. On the half-hour 'Tales from the Jacquard', history fuses with technique. The piece is rooted in the East Midlands, where Siegel's parents owned a lace-making business. "I have clear memories of trips to the lace factory with my Dad in the 1970's and hearing the sound of the machines he wanted to conduct them! My Dad always had a great love for music and after work at home in Nottingham, Ellington, Basie, Sarah Vaughan, Lockjaw Davis, Paul Gonsalves and Ben Webster would be on the turntable as well as a lot of classical music. It seemed like a natural thing to try and explore the lace making process and use this research to inspire new music." Experimentation with Jacquard cards played a key role in his compositional process. "I was sent a single card by Cluny Lace, one of the only surviving lace factories in the East Midlands. At the factory I saw the Jacquard machines with their sheets of punched cards transmitting the pattern to the lace machines. With more research, I was delighted to find musical possibilities within that card. The fact that each card contains numbers as well as rhythms gave me lots of musical ideas."
Having originally translated its card language into lace, the Jacquard now informs musical construction, creating melodies, rhythms, orchestrations and harmonic structures. It's a juggling act though, balancing the maths of the cards and allowing the band the freedom to have fun with the piece too. "I wrote for the improvisers in the band and tried not to prescribe the music too much and let the band play." This translates into a hands-off approach to compositions, with ample room for exploration built into the forms. This exploration continues with 'Blues', grounded by a heavy bass line over which Jason Yarde and Trevor Mires dazzle. 'Song' and 'The Goose' appeared on Siegel's quartet album Vista and both get a full expansion here, opening up the structures for solo adventures from Mark Nightingale, Percy Pursglove and Stan Sulzmann. Sandwiched between them is 'The Missing Link', emerging from a dark opening into an energetic boppy swinger that features trumpeter Claus Sttter, invited over from the NDR Big Band Hamburg. 'Fantasy in D', the Cedar Walton standard, concludes the set energetically with a pared back arrangement in this case, less really is more.
