Grieg - Violin Sonata No. 2 in G major, Op. 13
Genres:
Chamber » Sonatas » Violin Sonatas
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Hemsing’s elegant taking-flight is signalled beautifully just after the opening piano chords of Op. 8…Trpčescki twinkles and scintillates…the finales are still relatively weak spots in the three... — More…
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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Vadim Repin & Nikolai Lugansky: Violin Sonatas
RecommendedVadim Repin (violin) & Nikolai Lugansky (piano)
The obvious empathy that exists between these two artists...brings enormous dividends to this warmly recorded programme. It's so easy to become complacent in such a well-worn work as the Franck.... — More…
Awards:
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BBC Music Magazine, December 2010, Chamber Choice
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Presto Favourites, Recommended Recording
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BBC Music Magazine Awards, 2011, Chamber Award Winner
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It was the second of the sonatas which Elena Urioste and Tom Poster really made me fall in love with, its enigmatic dolorous introduction soon banished by typical Norwegian, grace-noted delight…Grieg... — More…
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Grieg’s Second Sonata sounds gorgeously, openly melancholic. — More…
Awards:
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BBC Music Magazine, December 2016, Chamber Choice
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Grieg: Three Concerti for Violin and Chamber Orchestra
based on the sonatas for violin and piano
Henning Kraggerud (violin)
Tromsø Chamber Orchestra
Kraggerud, as director of the Tromso Chamber Orchestra, has provided its players with some very attractive repertoire and they clearly respond with enthusiasm, producing performances that are... — More…
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The present recording certainly drives the works hard, with Pietsch's violin enjoying what moment of virtuosity there are — More…
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The key to a satisfactory performance of Grieg’s Violin Sonatas is an ability to synthesise the folk music passages with the broader elements of romantic musical language. There also needs to... — More…
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Written in 1952 when Vaughan Williams turned 80, the Violin Sonata was his last completed piece of chamber music . Its opening ‘Fantasia’ movement is tricky to pin down temperamentally, but... — More…
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