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The book teems with subtle cross-references, like the sudden reappearance in the last volume of the
amamzingly Debussian gesture that launched the whole cycle. There are other echoes, too, from... — BBC Music Magazine More…

…Dillon's music, with its rich weave of aggressive eloquence and obsessively evolving sound-patterns, is fully equal to the task of making the turbulent ritual seem real to the ears alone. The... — Gramophone Magazine, January 2010 More…

To hear this carnality in an orchestra is almost shocking. So much western classical use of the orchestral has
been manipulative or representational, it is wonderful to hear it step out on its... — The Wire More…