Name: Haydn: Stabat Mater
Price: 8.5 USD
Availability: InStock

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Jacobs is a conductor who always strives to inject as much drama as possible into his performances, and he vividly conveys the sobbing effects and the stabs of pain that run through the Stabat... — BBC Music Magazine, June 2023, 3 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Release Date: 17th Mar 2023
Catalogue No: PTC5186953
Label: Pentatone
Length: 61 minutes

Presto Editor's Choice

March 2023
International Classical Music Awards

2024

Nominated - Choral

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Haydn: Stabat Mater, Hob. XXa:1

Work length1:01:19

$15.25

$18.85

$23.20

René Jacobs, Basel Chamber Orchestra, Steve Davislim, Kristina Hammarström, Birgitte Christensen, Christian Immler, Zürcher Sing-Akademie

I. Stabat mater dolorosa

Track length7:58

$1.60

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II. O quam tristis et afflictia

Track length5:33

$1.05

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III. Quis est homo qui non fleret

Track length1:57

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IV. Quis non posset contristari

Track length5:10

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V. Pro peccatis suae gentis

Track length2:43

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VI. Vidit suum dulcem natum

Track length6:15

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VII. Eja mater, fons amoris

Track length2:57

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VIII. Sancta Mater, istud agas

Track length6:17

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IX. Fac me vere tecum flere

Track length6:34

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X. Virgo virginum praeclara

Track length6:17

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XI. Flammis orcis ne succendar

Track length2:04

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XII. Fac me cruce custodiri

Track length2:29

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XIII. Quando corpus morietur

Track length2:09

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XIV. Paradisi gloria

Track length2:56

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PERFECT BALANCE BETWEEN DRAMATIC PATHOS AND DISTANCED PORTRAYAL

René Jacobs presents Joseph Haydn’s Stabat Mater, together with the Kammerorchester Basel, Zürcher Singakademie and an excellent quartet of vocal soloists (Birgitte Christensen, Kristina Hammarström, Steve Davislim and Christian Immler). With this recording, Jacobs finally returns to a composer that is very dear to him, and offers a first vocal album on Pentatone after acclaimed interpretations of Schubert’s complete symphonies. Setting a text that depicts the most tragic event of Christ’s life, Haydn manages to find a balance between dramatic pathos and expression and a more composed, distanced portrayal, fitting his Classical aesthetic orientation. Initially composed in 1767, this recording employs a 1803 edition with enlarged wind orchestration created with the help of Haydn’s apprentice Sigismund Neukomm, which makes the work even more dramatic and colourful. Jacobs and his players and singers display a great sense of style and drama in this remarkable rendition.

Multiple prize-winning conductor René Jacobs is one of the most important representatives of the historically-informed performance practice. Haydn’s Stabat Mater is his fifth Pentatone album, after a complete Schubert symphonies cycle released between 2018 and 2021. The Kammerorchester Basel, Zürcher Sing-Akademie, Birgitte Christensen, Kristina Hammarström, Steve Davislim and Christian Immler all make their Pentatone debut.

Reviews

June 2023

Jacobs is a conductor who always strives to inject as much drama as possible into his performances, and he vividly conveys the sobbing effects and the stabs of pain that run through the Stabat Mater..this is generally an impressive performance, helped by an accomplished team of soloists and a strong choral contribution from the Zurich Sing-Akadamie.

September 2023

The 32-strong Zurich Sing-Akademie acquit themselves with untiring zeal, really lifting the climactic fugue off the page, accompanied by the period-instrument Basel Chamber Orchestra.

March 2023

Using the 1803 edition of the score for expanded wind section which Haydn prepared in collaboration with Sigismund Neukomm, Jacobs gives the Stabat Mater full-scale operatic treatment on this arresting recording, which grabs you by the scruff of the neck right from the opening bars; Immler supplies blood and thunder aplenty in the Pro peccatis, and in Jacobs's hands the Flammis orcis ne succendar would scarcely sound out of place in the Verdi Requiem…

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