Contralto
Nathalie Stutzmann (contralto/director), Orfeo 55
Stutzmann’s deep burgundy contralto, like a freakishly rich, wide-ranging countertenor, is the perfect fit for this repertoire...[Her] characterisation and vocal colouring are always true and... — More…
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Gramophone MagazineMarch 2021Editor's Choice
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Presto Recordings of the YearFinalist 2021
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International Classical Music Awards2022Nominated - Baroque Vocal
CD
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Audio formats guideContents
Handel: Tamerlano, HWV 18, Act I: "Dal crudel che m'ha tradita" (Irene)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Porpora: Torbido intorno al core (from Meride e Selinunte)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Handel: Ariodante: Sinfonia to Act 2
- Orfeo 55
- Nathalie Stutzmann
Handel: Mio cor, che mi sai dir? (from Rinaldo)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Vivaldi: Tito Manlio: Di verde ulivo
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Vivaldi: Gelido in ogni vena (from Il Farnace, RV711)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Handel: Berenice, HWV 38: Sinfonia to Act III
- Orfeo 55
- Nathalie Stutzmann
Porpora: Tradita, sprezzata (from Semiramide riconosciuta)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Bononcini, G B: Caro addio, dal labbro amato (from Griselda)
- Nathalie Stutzmann (contralto)
- Orfeo 55
- Nathalie Stutzmann
Lotti: Alessandro Severo: Sinfonia to Act III
- Orfeo 55
- Nathalie Stutzmann