Friedhelm Döhl:
Requiem is also coming to terms with human existence, left alone on a “narrow path”, also coming to terms with (the human presumption of) “Apocalypse now”. – Doubts followed my first ideas. Doubt, whether…, doubt, how…, doubt about the meaning and form…
"Döhls music represents a central aesthetic position of new art. To him, composing is asking questions of his 'self', music is a medium which he uses in his dealings with a world, whose brokenness and fragility is to be brought to light through art… The partial frugality of the angular contours, repetitive rhythms and glaring contrasts have a direct correlation to highly expressive cantability and dionysistic sound sensuality." Wilfried Gruhn, in 'Metzlers Composers Lexicon'
About the Friedhelm Döhl Edition
"Edition of the year" - Tilmann Urbach, Fono Forum 12/2009
"Performances and supporting documentation are admirable."
Cambridge University Press
„Une voix des profondeurs dans le désert du présent“
Fred Audin/ ClassiqueInfo-Disque, 2/2009
