Mozart: Integrale des Sonates Vol.3

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Catalogue No: ACD22246
Label: Atma Classique
Length: 59 minutes

Mozart: Sonate en si bémol majeur, K. 333 (K. 315c)

Work length26:14

$3.30

$4.50

Ludwig Sémerjian (pianoforte)
Recorded: 2000-05
Recording Venue: Beethoven-Haus Kammermusiksaal, Bonn

Sonate en si bémol majeur, K. 333 (K. 315c): I. Allegro

Track length10:05

$1.10

$1.50

Sonate en si bémol majeur, K. 333 (K. 315c): II. Andante cantabile

Track length9:37

$1.10

$1.50

Sonate en si bémol majeur, K. 333 (K. 315c): III. Rondo: Allegretto grazioso

Track length6:32

$1.10

$1.50

Mozart: Sonate en mi bémol majeur, K. 282 (K. 189g)

Work length13:40

$3.30

$4.50

Ludwig Sémerjian (pianoforte)
Recorded: 2000-05
Recording Venue: Beethoven-Haus Kammermusiksaal, Bonn

Sonate en mi bémol majeur, K. 282 (K. 189g): I. Adagio

Track length6:34

$1.10

$1.50

Sonate en mi bémol majeur, K. 282 (K. 189g): II. Minuetto I - Minuetto II

Track length4:04

$1.10

$1.50

Sonate en mi bémol majeur, K. 282 (K. 189g): III. Allegro

Track length3:02

$1.10

$1.50

Mozart: Sonate en do majeur, K. 330 (K. 300h)

Work length19:37

$3.30

$4.50

Ludwig Sémerjian (pianoforte)
Recorded: 2000-05
Recording Venue: Beethoven-Haus Kammermusiksaal, Bonn

Sonate en do majeur, K. 330 (K. 300h): I. Allegro moderato

Track length5:35

$1.10

$1.50

Sonate en do majeur, K. 330 (K. 300h): II. Andante cantabile

Track length6:36

$1.10

$1.50

Sonate en do majeur, K. 330 (K. 300h): III. Allegretto

Track length7:26

$1.10

$1.50

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In 1817, Thomas Broadwood invited five of London's best known piano virtuosos including Beethoven's pupil Ferdinand Ries - to his workshop in order to select an instrument he wished to present to Beethoven as a gift. In June of 1818, the chosen piano left London on its long journey to Vienna. This instrument is now in the National Museum of Hungary, Budapest. Unfortunately it is in unplayable condition. In 1992, the Beethovenhaus Museum in Bonn acquired a Broadwood piano built less than three months earlier than Beethoven's instrument. This immaculate piano, used in the present recording, allows us the rare opportunity to experience the sound of the early 19th century English piano. We know that Beethoven frequently performed Mozart's works in public. His famous cadenzas for Mozart's D minor piano concerto K. 466 give us an idea of his approach towards Mozart's piano music. There is no concession to 18th century standards. Beethoven gives free reign to the rugged sonorities of the 19th century English piano. Performing Mozart's piano works on such an instrument today demonstrates how the perception of his music could change in just a few short years. In 1817, Mozart, had he lived, would have been 61 years old.

Mozart: Integrale des Sonates Vol.3

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