New and Future Releases
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As Yuja Wang fuses the disparate music into a single, coherent arc, she annihilates any fears of randomness. How does she do it? — More…
Awards:
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Gramophone Magazine, June 2024, Editor's Choice
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Offer, Michael Tippett: A Child of Our Time RecommendedPumeza Matshikiza (soprano), Dame Sarah Connolly (mezzo), Joshua Stewart (tenor), Ashley Riches (bass-baritone)
BBC Symphony Orchestra & Chorus, Sir Andrew Davis
Its greatest glory is perhaps the powerfully galvanised singing of the well-focused BBC Symphony Chorus – a broad spectrum of visceral expression across a huge dynamic range with every word... — More…
Awards:
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Presto Recording of the Week, 3rd May 2024
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The press-release quotes Tharaud as saying the album was 'made for the sheer pleasure of it'. This is tangibly translated in much of the playing, across a programme that ranges from Bach to... — More…
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Presto Recording of the Week, 10th May 2024
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This Signum recording, to be welcomed with open arms, is a fine advert for Howell’s talents. Under Miller’s direction, the resplendent climaxes and intimate detail in Lamia – luxuriantly recorded... — More…
Awards:
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Presto Recording of the Week, 8th March 2024
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Durufle: Requiem & Poulenc: Lenten Motets Harrison Cole (organ), The Choir of Trinity College Cambridge, Stephen Layton
The choir is magnificent, emerging through former Trinity organ scholar Harrison Cole’s adroitly chosen organ textures in the Introit, yet producing searing radiance in the climax of the Sanctus.... — More…
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John Williams: Violin Concerto No. 1 & Bernstein: Serenade James Ehnes (violin), Saint Louis Symphony, Stéphane Denève
I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy... — More…
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Bleuse draws playing of greater spontaneity if only slightly less precision than Pierre Boulez in that previous EIC recording of the Chamber Concerto...this is a persuasive means for getting... — More…
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Offer, Messiaen Bertrand Chamayou (piano), Barbara Hannigan (soprano), Vilde Frang (violin), Charles Sy (tenor)
Hannigan’s silvery, flexible sound may lack the sheer heft of the “dramatic soprano” that Messiaen specifies for both cycles, but the way in which she uses her voice and her superb projection... — More…
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