LPO

All the virtues of Järvi's approach come together… in the Agnus Dei: beautifully paced and crafted, the performance captures superbly the radiance of Dvorák's vision of the hereafter. — BBC Music Magazine, Christmas 2009, 3 out of 5 stars More…

one smudged turn apart, the orchestral playing is perfect, the crucial oboe, flute and clarinet solos the best I've heard. Nezet-Seguin's vision is suitably hyperaesthetic - he is already an... — BBC Music Magazine, January 2014, 3 out of 5 stars More…

arguably the finest trio of soloists since the original performance under the composer...Christine Brewer, Gerald Finley, and Anthony Dean Griffey are all superb in their clean focus, pure and... — Penguin Guide, 2010 More…

these live performances showcase different aspects of this remarkable instrument's capabilities in tandem with orchestra. The Poulenc is generally a hard-edged performance, James O'Donnell dispatching... — BBC Music Magazine, January 2015, 3 out of 5 stars More…

Tennstedt takes a briskish tempo in the opening movement...With warm-bodied string and a fresh-voiced wind choir, the LPO was also the ideal medium for Tennstedt's reading. Their playing is... — Gramophone Magazine, July 2015 More…

this two-CD set of Hollywood classics, including Herrmann's Psycho and Mauceri's arrangements of Rota's Godfather, is a reminder of the LPO's commitment to film music — BBC Music Magazine, October 2015 More…

...there is no want of lustre in [Baker's] Sea Pictures: she is in rapturous voice, and the “live” dimension adds extra frisson. As for the First Symphony, Handley demonstrates his mastery at... — Financial Times, 26th June 2010, 4 out of 5 stars More…