Linn

a Chineke! commission, Ayanna Witter-Johnson’s Blush, is tightly played under William Eddins, full of locomotive energy. Peter Maxwell Davies’s A Spell for Green Corn is superb here under Marin... — BBC Music Magazine, March 2022, 4 out of 5 stars More…

Saeijs's is a memorable interpretation. She smoothly negotiates the works' fiendish challenges without once compromising her lustrous tone. At the same time she is faithful to the spirit of... — Gramophone Magazine, March 2016 More…

The orchestral sound is big (though the orchestra itself isn’t large), confident and film-score vivid, and demands extraordinarily virtuosic playing from American master Eliot Fisk…Fisk’s tone... — BBC Music Magazine, August 2017, 4 out of 5 stars More…

Mikdad, already a seasoned competition entrant, gives fine accounts of all three works here...this calling card will do very well and Aidan Mikdad’s name will be filed under ‘One to Watch’. — Gramophone Magazine, February 2023 More…

…at its best his playing evinces an ease and naturalness that makes his overemphasis elsewhere regrettable. He excels in the Sonatine's virtuoso finale, where, as instructed, he is brilliantly... — Gramophone Magazine, January 2009 More…

Wallisch is in many ways a highly attractive Mozartian, commanding a beautiful (if rather opaque) tone, a discerning sense of proportion and a keen but discreet articulation, all complemented... — BBC Music Magazine, November 2010, 3 out of 5 stars More…

His mastery of the idiom is such that we only notice the music’s salon-like gentleness and intimacy, not the dextrous technique required to make it so. — Financial Times, 25th June 2011, 4 out of 5 stars More…