K617
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Le phénix du Mexique
Adriana Fernández (soprano), Rosa Dominguez (mezzo-soprano), Alicia Borges (mezzo-soprano), Fabian Schofrin (counter-tenor), Martin Oro (counter-tenor), Alejandro Meerapfel (baritone), Furio Zanasi (baritone)
Cor Vivaldi Els Petits Cantors de Catalunya, Gabriel Garrido
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Aliotti: Il Sansone
Francesc Garrigosa (tenor), Claudio Cavina (alto), Adriana Fernández (soprano), Claudine Ansermet (soprano), Iván García (bass)
Studio di Musica Antica Antonio il Verso di Palermo, Gabriel Garrido
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Mozart et les bohémiens: La dernière journée à Prague
Philippe de Deyne (basset-horn), Michèle Claude (percussion)
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Jommelli: La Passione di nostro signore Gesù Cristo
Jeffrey Francis (tenor), Anke Herrmann (soprano), Debora Beronesi (alto), Maurizio Picconi (baritone)
Vocaal Ensemble Eufonia, Ensemble Sigismondo D'India, Alessandro De Marchi
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Tapray: 6 Keyboard Concertos, Op. 1
Dominique Ferran (organ)
Ensemble Baroque de Nice, Gilbert Bezzina
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San Ignacio: L'opéra perdu des missions jésuites de l'Amazonie
Rosa Dominguez (mezzo-soprano), Silvia Monsalve Pérez (soprano), Alicia Borges (mezzo-soprano), Fabián Schofrin (counter-tenor), Furio Zanasi (baritone)
Capella Cisplatina, Coro Juvenil de la Fundacíon pro Arte de Córdoba, Ensemble Elyma, Ensamble Louis Berger, Gabriel Garrido
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André Campra: Requiem & In convertendo
Robert Getchell (countertenor), Jean-François Novelli (tenor) & Marc Labonnette ('basse-taille' - lowest tenor voice)
Les Pages & les Chantres du Centre de musique baroque de Versailles, Orchestre des musiques anciennes et à venir, Olivier Schneebeli
The plaintive cry of the solo serpent kicks off the substantial Requiem, which...is, by turns, lyrical, exuberant and invariably inventive. The refreshingly uncluttered choral writing is nicely... — More…
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