ica classics
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Margot Fonteyn & Michael Somes
Margot Fonteyn & Michael Somes
Royal Opera House Orchestra, London Philharmonic Orchestra, Royal Philharmonic Orchestra, John Lanchbery, Robert Irving, Hugo Rignold
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Observing Wand at the head of the Fifth is like seeing an elderly man in love; virtually every phrase inspires a prior response...The BBC Symphony Orchestra deliver magnificently and the performance... — More…
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Sir Georg Solti & Chicago Symphony Orchestra
2 February 1985, Royal Festival Hall, London
Chicago Symphony Orchestra, Sir Georg Solti
Captured in satisfyingly full-blooded 'enhanced mono' sound (with just an occasional patch of pre- and post-echo) both symphonies receive top-class advocacy...What an enviably secure and commandingly... — More…
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Garrick Ohlsson plays Chopin, Brahms & Liszt
Garrick Ohlsson (piano)
BBC Symphony Orchestra, James Loughran
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Some of the most expert playing here comes in the Beethoven Symphonies, in which strings demonstrate effortless synchronisation and winds pass phrases between one another seamlessly....[Munch]... — More…
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Hérold: La Fille mal gardée
Nadia Nerina (Lise), David Blair (Colas), Stanley Holden (Widow Simone), Leslie Edwards (Thomas) & Alexander Grant (Alain)
The Covent Garden Orchestra, John Lanchbery
Featuring the original cast of Ashton's heart-warming romance, this 1962 black and white film is a treasure. Nerina and Blair are sprightly, and there's a touch of genius to Grant's Alain. — More…
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High-powered, boldly etched, larger-than-life, impassioned 1980s performances — More…
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André Previn conducts Rachmaninov & Prokofiev
Sheila Armstrong, Robert Tear & John Shirley-Quirk
London Symphony Orchestra, with London Symphony Chorus, André Previn
Previn produces a blazing account of Rachmaninov's The Bells for its 1973 Proms premiere. A sparkling Lieutenant Kije and effervescent Candide Overture too. — More…
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Leonard Bernstein conducts Stravinsky & Sibelius
Fairfield Halls, Croydon, London, 27 November 1966
London Symphony Orchestra, Leonard Bernstein
Thrilling performances from 1966. The Rite generates tremendous tension, while the Sibelius is liked for drama and lyricism. No wonder Bernstein starts as Jekyll and finishes looking like Hyde. — More…