Erato
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Joyce DiDonato: Diva, Divo
RecommendedJoyce DiDonato (mezzo)
Orchestre et Choeur de L'Opéra National De Lyon, Kazushi Ono
Proof of DiDonato's consummate musicianship is everywhere here...For sheer beauty of tone, legato that defies gravity and singing that restores your faith in human nature, listen last of all... — More…
Awards:
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Gramophone Awards, 2011, Finalist - Recital
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BBC Music Magazine, April 2011, Opera Choice
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Grammy Awards, 54th Awards (2011), Best Classical Solo Vocal Album
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Opera, June 2011, Recording of the Month
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Renaud Capuçon plays Three Modern Concertos
World Premiere performances & recordings
Renaud Capuçon (violin)
Wiener Symphoniker, Orchestre Philharmonique de Radio France, Orchestre de l'Opéra national de Paris, Philippe Jordan, Myung-Whun Chung
The more exciting music is often in the orchestra, but it’s a tribute to Capuçon’s skills that, like both of the other works it is completely under his skin — More…
Awards:
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Gramophone Awards, 2017, Finalist - Contemporary
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ECHO Klassik Awards, 2017, Winner
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Diapason d’Or de l’Année, 2017, Winner - Musique Contemporaine
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Schumann: Cello Concerto & Chamber Works
Gautier Capuçon (cello), Martha Argerich (piano), Renaud Capuçon (violin)
Chamber Orchestra of Europe, Bernard Haitink
Capuçon provides the best of both worlds, creating a profound sense of a lone figure lost in his thoughts during the first two movements, before suggesting an emotional rejuvenation in the finale…Bernard... — More…
Awards:
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Presto Editor's Choice, January 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
CD
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Britten: The Rape of Lucretia
Angelika Kirchschlager (Lucretia), Peter Coleman-Wright (Tarquinius), Ian Bostridge (Male Chorus), Susan Gritton (Female Chorus), Christopher Purves (Collatinus), Benjamin Russell (Junius), Claire Booth (Lucia), Hilary Summers (Bianca)
Aldeburgh Festival Ensemble, Oliver Knussen
Without hurrying, Knussen conducts a tight, vivid account, surpassing Britten's own...Ian Bostridge and Susan Gritton as Male and Female Chorus project their rhetorical commentaries with exemplary... — More…
Awards:
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BBC Music Magazine Awards, 2014, Opera Finalist
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BBC Music Magazine, April 2013, Opera Choice
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Gramophone Magazine, April 2013, Editor's Choice
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Gramophone Awards, 2013, Finalist - Opera
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Britten: The Turn of the Screw
RecommendedIan Bostridge, Joan Rodgers, Julian Leang, Caroline Wise, Jane Henschel, Vivian Tierney
Mahler Chamber Orchestra, Daniel Harding
This performance captures the sense of dislocation essential to this chilling ghost story. — More…
Awards:
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Building a Library, November 2013, First Choice
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Gramophone Magazine, October 2002, Editor's Choice
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Gramophone Awards, 2003, Winner - Opera
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Rossini - Colbran, the Muse
RecommendedOpera arias
Joyce DiDonato (mezzo), Lawrence Brownlee (tenor)
Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller
This is an artist who moves between registers with grace and skill, whose legato is seamless and whose tone is pearly. Indeed so creamy in 'D'amor al dolce impero', also from Armida, that you... — More…
Awards:
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Gramophone Magazine, December 2009, Editor's Choice
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Gramophone Awards, 2010, Winner - Recital
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Opera, February 2010, Recording of the Month
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The sound is beautifully balanced, Capuçon’s razor-sharp tone contrasting perfectly with the warm orchestral strings of Les Siècles – so the sentiment is never turgid. And the chance to explore... — More…
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The pianism is exemplary. David Fray has probably never hit an ugly note, nor failed to produce textures of luminous clarity and seductive depth and colour...Beautiful, certainly, in its way;... — More…
Awards:
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Gramophone Magazine, May 2015, Editor's Choice
CD
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This is impassioned, eloquent Scarlatti, emanating directly from the heart, ordered and juxtaposed by an inspired artistic sensibility. Anyone in love with Scarlatti or with he sound of the... — More…
Awards:
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Diapason d’Or de l’Année, 2019, Winner - Clavecin
CD
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Ravel: Daphnis et Chloé & La Valse
RecommendedOrchestre et Choeur de l'Opéra National de Paris, Philippe Jordan
I don't think I've heard the dances by Dorcon and Daphnis, where they compete for the affection of Chloé, so effectively characterised: Daphnis in partocular is genuinely 'légère et gracieuse'... — More…
Awards:
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Presto Recordings of the Year, Finalist 2015
CD
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