Delphian
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Offer, Close-Ups Heloïse Werner | Max Baillie | Julian Azkoul | Ruth Gibson Colin Alexander | Marianne Schofield | Kit Downes
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Piers Hellawell: Up By The Roots
Paul Watkins (cello), Huw Watkins (piano), William Howard (piano)
Fidelio Trio, Hard Rain Ensemble, Ulster Orchestra
There's a 20-minute orchestral piece, Wild Flow, but the others are chamber-scaled. The title piece, a melodrama to poems about the plight of migrants, read by the author Sinéad Morrissey, does,... — More…
Awards:
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The Times Records of the Year, 2020
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It’s hard to resist. Here is a choir in which all the elements are held in perfect equilibrium. Patrick Allies ponders every note before moulding lines whose suppleness in turn coalesce into... — More…
Awards:
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BBC Music Magazine, May 2018, Choral & Song Choice
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The Epiphoni Consort sings splendidly. Every element one looks for in choral singing can be found here—blend, balance, intonation, and clarity of diction, along with depth of feeling. Occasional... — More…
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Presto Editor's Choice, June 2020
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Working in a broadly traditional style, he explores a harmonic world of blurred but euphonious richness, the writing skilled and unfailingly effective…These beautifully shaped performances by... — More…
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Presto Editor's Choice, September 2018
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Beyond Twilight: Music For Cello & Piano By Female Composers
Alexandra Mackenzie (cello), Ingrid Sawers (piano)
From a shimmering 'Shieling Song' to a shaded sea shanty, Mackenzie plays with appropriate panache. — More…
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How wonderful it is to hear this music given a real performance rather than the usual dutiful playthrough...None of this music quite reveals the genius we now mourn, yet Willshire gives compelling... — More…
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Do not be fooled by the music’s seeming inactivity, for the insubstantiality [of Finnis's Devotions] is a mirage, the inner workings, derived from the ‘Heiliger Dankegesang’ movement of Beethoven’s... — More…
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In the Beginning
Beth Mackay (mezzo-soprano) & Natasha Tyrwhitt-Drake (organ scholar)
Choir of Merton College, Oxford, Benjamin Nicholas & Peter Phillips (directors)
The 18 uninterrupted minutes of Copland's a cappella In the Beginning are a major test of any choir's stamina and concentration, and it's one the Mertonians pass with confidence...[Beth Mackay]... — More…
Awards:
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Gramophone Magazine, December 2011, Editor's Choice
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[‘Why do they shut me out of heaven?’] is a good example of Fontanals-Simmons’s tendency to prioritise solidity of vocal production and excellent diction over flashy point-making and expressive... — More…
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Presto Editor's Choice, August 2019
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