Decca
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Benjamin Grosvenor plays Rhapsody in Blue RecommendedBenjamin Grosvenor (piano)
Royal Liverpool Philharmonic Orchestra, James Judd
reservations pale into Beckmesserish scratchings besides the delights of this disc and especially of Grosvenor's pianism. I can only concur with other critics who hear in his tone and phrasing... — More…
Awards:
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Presto Recording of the Week, 6th August 2012
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Gramophone Magazine, November 2012, Editor's Choice
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Awards:
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Gramophone Awards, 1978, Winner - Orchestral
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Mozart - Piano Concertos Nos. 23 & 24 RecommendedMitsuko Uchida (piano and conductor)
Cleveland Orchestra
In the great C minor Concerto, K491, the opening tutti rages with all the ferocity of middle-period Beethoven, and when the piano enters it is pleading, fragile. …I found the last [movement]... — More…
Awards:
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Gramophone Magazine, December 2009, Editor's Choice
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Grammy Awards, 53rd Awards (2010), Best Classical Instrumental Solo Recording
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Freire's sound has always been a thing of wonder: even at full volume and full tilt there's no hint of percussiveness in his tone...Highlights are many - the regret-filled duet of the middle... — More…
Awards:
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Gramophone Magazine, Awards Issue 2017, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Instrumental
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Awards:
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Penguin Guide, Rosette
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These sonatas are magnificent creations, wonderfully well played by Alfred Brendel. Within the order and scale of these works Haydn explores a rich diversity of musical languages, a wit and... — More…
Awards:
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Gramophone Awards, 1987, Winner - Instrumental
4 CDs
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This is immensely distinguished Liszt-playing...Freire seems utterly at one with the music, not only in terms of its innate poetry but also its astonishing diversity of texture and touch...Freire... — More…
Awards:
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Gramophone Awards, 2011, Finalist - Instrumental
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BBC Music Magazine, July 2011, Instrumental Choice
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Gramophone Magazine, August 2011, Editor's Choice
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Elgar: The Dream of Gerontius, Op. 38 RecommendedCatherine Wyn-Rogers (Angel), Andrew Staples (Gerontius), Thomas Hampson (Priest/Angel of the Agony)
Staatskapelle Berlin, Staatsopernchor, RIAS Kammerchor, Daniel Barenboim
Staples is a young-sounding and affecting Gerontius…he uses his vulnerability to good effect…Wyn-Rogers sings with great feeling and intensity and an always vivid response to text…Hampson is... — More…
Awards:
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Presto Recording of the Week, 14th July 2017
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Presto Recordings of the Year, Finalist 2017
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Record Review, 15th July 2017, Recording of the Week
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Berlioz: Symphonie fantastique; Overture Les francs-juges RecommendedChicago Symphony Chorus (chorus)
Sir Georg Solti
Awards:
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Grammy Awards, 17th Awards (1974), Best Engineered Album, Classical
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Grammy Awards, 17th Awards (1974), Best Orchestral Performance
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Grammy Awards, 17th Awards (1974), Classical Album of the Year
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Vinci, Leonardo: Catone in Utica RecommendedMax Emanuel Cencic (Arbace), Franco Fagioli (Cesare), Valer Sabadus (Marzia), Martin Mitterutzner (Fulvio), Vince Yi (Emilia), Juan Sancho (Catone)
Il Pomo D'oro, Riccardo Minasi
Director Riccardo Minaso heats up [the] sense of rivalry - the variations get wilder, the yearning more palpable. All three countertenors are virtuosos, but Fagioli takes the laurels…the band... — More…
Awards:
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Presto Recording of the Week, 25th May 2015
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Presto Recordings of the Year, Finalist 2015
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Opera, August 2015, Recording of the Month
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