Aeon

This is a recording that was waiting to happen: to do full justice to Ockeghem's famous Mass designed for performance 'on whatever tone you choose', you really need to hear several complete... — Gramophone Classical Music Guide, 2010 More…

The title 'Caprices' belies the serious rapport which Arditti nurtured over decades with Carter, Nunes, Boulez and Sciarrino…The works, too, are hardly whimsical but represent a quarter-century... — BBC Music Magazine, Christmas 2017, 5 out of 5 stars More…

What is so satisfying about these performances recorded at Princeton University is the overall warmth of the playing, with speeds ideally chosen and never forced, with natural rubato and shading,... — Gramophone Magazine, March 2012 More…

Tedi Papavrami, while not attempting to sound like Sarasate, adopts something of his graceful manner; his alert, lively approach is just right for conveying the music's inventive, often improvisatory... — Gramophone Magazine, October 2010 More…

These three works superbly realised under the nuanced direction of Pierre-Andre Valade, provide…a fine introduction for those unfamiliar with Murail's music…the closest [Le partage des eaux]... — BBC Music Magazine, September 2015 More…

everything on these discs gives clear evidence of the most scrupulous preparation, a constant search for the intrinsic features of each individual piece. Not only that but the recorded sound... — Gramophone Magazine, Awards Issue 2011 More…

the album's title-work by Rebecca Saunders is an interior monologue which, thanks to Ballon's advocacy, seems to bypass the executant and travel deep within the mind and body of the instrument:... — Gramophone Magazine, February 2016 More…