Unitel Editions
-
the fall of Tobias Moretti’s Everyman is all the more affecting for his initial suavity…It is Caroline Peters, however, as the Paramour, who almost steals the show from Moretti thanks both to... — More…
-
Handel/ Mozart: Der Messias
Elena Tsallagova (soprano), Wiebke Lehmkuhl (mezzo-soprano), Richard Croft (tenor), José Coca Loza (bass), Alexis Fousekis, Philharmonia Chor Wien, Les Musiciens Du Louvre, Mark Minkowski, Robert Wilson
On the plus side, Wilson shows a definite response to the music.Yet there’s always a tendency for whatever work he stages to become an accompaniment to a fussy and (in terms of significance)... — More…
-
-
-
Verdi: Simon Boccanegra
Luca Salsi (Simon Boccanegra), Marina Rebeka (Amelia), Charles Castronovo (Gabriele Adorno), René Pape (Fiesco)
Wiener Philharmoniker, Valery Gergiev, Andreas Kriegenburg
The Vienna Philharmonic makes beautiful sounds and the chorus offers strong work…Salsi is more credible as the ardent lover and buccaneer of the Prologue than as the idealistic Doge worn down... — More…
-
Tchaikovsky: Piano Concerto No. 1 Schubert: Unfinished Symphony
Martha Argerich (piano), West-Eastern Divan Orchestra, Daniel Barenboim
-
John Cranko's The Taming of the Shrew
Elisa Badenes, Jason Reilly, Veronika Verterich, Martin Fernández Paixà, Alessandro Giaquinto, Fabio Adorisio, the Stuttgart Ballet, State Theatre Stuttgart, John Cranko (choreography), Wolfgang Heinz
-
-
Coppel-I.a
Lou Beyne, Matej Urban, Anna Blackwell, Simone Tribuna, Mimoza Koike, Lennart Radtke, Les Ballets de Monte-Carlo, Jean-Christophe Maillot
-
The most impactful performances here are of ponderous slow movements... Especially the Appassionata’s second movement...has a conceptual thoroughness and candour that is risk-taking, teetering... — More…
