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This is a delight...The balance is inclined to overfavour the piano, but Driver’s playing is so good, one can’t complain. His rapport with Hanslip’s splendidly incisive yet sweet-toned violin... — More…
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Tchaikovsky Violin Concerto & Lalo: Symphonie espagnole
Ellinor D’Melon (violin), RTÉ National Symphony Orchestra, Jaime Martín
Right from the start of the Tchaikovsky, your ears are hooked by her strong, confident tone. Her fingers never seem to take a breath as the long burnished phrases roll on and on. You notice... — More…
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Certainly these works benefit from Martinova’s energy and splendid ear for tone colour. — More…
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There are arresting ideas…But Amner rarely approaches the greatness of his peers such as Gibbons, and his ‘professional efficiency’ sometimes rubs off on the Dubliners under Mark Keane…Fretwork... — More…
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An attractive sequence of folk-inflected works by Georgian, Armenian, Greek, Hungarian and British-born composers in imaginative arrangements for solo cello and string orchestra by Alessio Pianelli...strongly... — More…
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At its centre is the large-scale Piano Sonata by Bridge...It breaks with Bridge’s pre-war tonal language and Soares is clearly in tune with the work’s anguish, making much of the opening’s high-lying... — More…
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Graziani, C: Sonatas (6) for Violoncello and Basso Continuo, Op. 3
Armoniosa: Stefano Cerrato (solo cello), Marco Demaria (violoncello di continuo), Michel Barchi (harpsichord)
Cerrato’s performances are technically impressive, but his interpretations are not merely demonstrations of his technique or of the requirements of these sonatas. This is music making of the... — More…
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Mozart: Piano Concertos: Nos. 20, 21, 23, 27
Royal Philharmonic Orchestra, Pierre Vallet, Elizabeth Sombart
Her Mozart is alternately convincingly lyrical and delightfully energized. One can only admire her solo statement of the second movement of K 488. The whole movement is sublime. The brisk tempo... — More…
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