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Fedorova’s Chopin is unfailingly sensitive, poetic and tasteful, the phrases flexibly shaped even when the technical going gets tough. In Liszt and Scriabin, too, she never forces her tone and... — Gramophone Magazine, February 2020 More…

The program is very well designed, with plenty of contrast and a continual pleasure to listen to. Fedorova has the musical sensibilities and technical control to balance not only the melody... — Fanfare, May/June 2022 More…

Feng is a technically immaculate player: the rat-a-tat multi-stopping at the conclusion of the opening movement of Elgar’s Violin Concerto is pin-point accurate and tingles with focused intensity.... — BBC Music Magazine, February 2019, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Dreyfus writes passionately about the music, referring to 'a Dionysian frenzy hell-bent on breaking civilised taboos' and 'jubilant incantations'.
So what do we hear? A subtly resonant, particularised... — Gramophone Classical Music Guide, 2010 More…

If you don’t already have recordings and want this combination, these are fresh, played with pinpoint accuracy, well paced and free from excessive vibrato...If “Death in the Maiden” feels a... — The Observer, 16th July 2017, 3 out of 5 stars More…