Sony
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L'Opéra
Recommendedjewelcase version
Jonas Kaufmann (tenor), Ludovic Tézier (baritone), Sonya Yoncheva (soprano)
Bayerisches Staatsorchester, Bertrand de Billy
Kaufmann is a consummate artist who rethinks everything that he sings…You can almost forgive the hooded, crooner-like tone that [he] favours when his characters are interrogating their souls.... — More…
Awards:
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Presto Recording of the Week, 15th September 2017
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Presto Recordings of the Year, Finalist 2017
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International Opera Awards, 2018, Nominated - Solo Recital
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There are passages here as phenomenal and white-hot as any I’ve heard in the Sixth Symphony: try the whiplash return to the hurly-burly after the high-pastures idyll at the centre of the first... — More…
Awards:
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Presto Recording of the Week, 2nd November 2018
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Presto Recordings of the Year, Finalist 2018
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Gramophone Magazine, December 2018, Editor's Choice
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Gerhaher’s outstanding qualities – a heavenly baritone, crisp diction, intelligent address – once again find an echo in Huber’s pianism. — More…
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Gramophone Awards, 2015, Winner - Solo Vocal
CD
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Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. — More…
Awards:
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Presto Editor's Choice, September 2017
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Record Review, 16th September 2017, Recording of the Week
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Opus Klassik Awards, 2018, Winner - Newcomer (singer)
CD
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This is Bach at his most commanding...as fine a set of Bach's complete partitas as you will find in the catalogue, but it lacks the individuality which I had hoped for — More…
Awards:
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Gramophone Magazine, October 2014, Disc of the Month
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Presto Recordings of the Year, Finalist 2014
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Kavakos’s stylistic sensitivities bring an element of decorative fantasy to the naked urtext, as would have occurred in the hands of any skilled player of the period. He uses vibrato very sparingly... — More…
Awards:
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BBC Music Magazine, March 2022, Instrumental Choice
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It’s a large, densely orchestrated work in which he experiments with “cosmic” textures, though it sounds far from experimental in an avant-garde sense. Using material from Knock, Breathe, Shine,... — More…
Awards:
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Limelight Magazine Recordings of the Year, 2019, Nominated - Orchestral
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International Classical Music Awards, 2019, Nominee - Contemporary Music
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Mahler: Das Lied von der Erde
RecommendedJonas Kaufmann (tenor)
Wiener Philharmoniker, Jonathan Nott
I think [Mahler] would have approved of Jonas Kaufmann’s ground-breaking decision to take the solo part throughout. It’s not much of a stretch for him – a few low notes apart, the lower register... — More…
Awards:
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Presto Recording of the Week, 7th April 2017
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Presto Recordings of the Year, Finalist 2017
CD
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Shostakovich: Cello Concerto No. 1 & Violin Concerto No. 1
RecommendedMstislav Rostropovich, David Oistrakh
Philadelphia Orchestra, New York Philharmonic Orchestra, Eugene Ormandy, Dimitri Mitropoulos
Awards:
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Building a Library, September 2002, Historic Choice
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Penguin Guide, Rosette
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Sol Gabetta - Schumann
Sol Gabetta (cello), Bertrand Chamayou (piano), Kammerorchester Basel, Giovanni Antonini
She makes a remarkable case for her re-viewing of the Cello Concerto, which emerges as nervous, mercurial, more brilliantly lateral in its thinking than in any other recording I can remember.... — More…
Awards:
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Diapason d’Or, May 2019
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Opus Klassik Awards, 2019, Winner - Instrumentalist of the Year (cello)
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Gramophone Magazine, December 2019, Critics' Choice
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