Resonus Classics

The playing of the Presteigne Festival Orchestra lacks nothing in commitment, directed by Vass with unfussy attention to detail. — Gramophone Magazine, October 2021 More…

Every note’s function [is] painstakingly thought through...It’s true that there’s not a lot of recorded competition when it comes to this repertoire, but even if there were I’d wager this would... — Gramophone Magazine, February 2020 More…

whatever the music, the forthright and sympathetic approach of tenor James Geer and pianist Ronald Woodley always makes listening a pleasure. Geer means and feels every word he sings...Through... — BBC Music Magazine, July 2023, 4 out of 5 stars More…

Sibelius as proto-minimalist – well, why not?...It’s not just the cool, spacious recorded sound…or even the way Kemp clarifies and layers Sibelius’s string sound. It’s the way he shapes and... — Gramophone Magazine, June 2018 More…

The most attractive aspect of this release is the free recreational sense of friends spending a Sunday evening together, getting high on caffeinated concertos. — Gramophone Magazine, October 2023 More…

The general effect is impressive and warmly resonant, though the size of the choir (23 male and female singers) makes for a slight lack of clarity in the complex textures…The great musical treat... — BBC Music Magazine, Christmas 2021, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

The Dudok Quartet’s gift is to hear Ligeti in Ligeti even when he couldn’t hear it in himself...The First Quartet is Tom and Jerry in black and white, the Second is their Technicolor reincarnation,... — Gramophone Magazine, November 2015 More…

The Fidelio Trio’s virtuosity is of a high order, with Mary Dullea throwing off the piano fireworks in the Ravel ‘Pantoum’ with splendid élan — BBC Music Magazine, January 2017, 4 out of 5 stars More…