Resonus Classics

Hazelzet and Fantasticus make an immensely strong case for them here: smoothly flowing readings high on intellectual sparkle and cheerful chamber conviviality, nimbly wrought articulation and... — Gramophone Magazine, November 2018 More…

These little jewels are luminously showcased on the harpsichord: a copy by Colin Booth of an early 18th-century instrument by German maker Johann Christof Fleischer. Its delicate, silvery timbre... — BBC Music Magazine, December 2021, 5 out of 5 stars More…

Rautio’s instrument has an unusually warm and rounded tone, which melds and contrasts satisfyingly with Victoria Simonsen’s cello and Gordon’s violin...And these players make the most of Beethoven’s... — BBC Music Magazine, December 2022, 4 out of 5 stars More…

The Dudok Quartet’s gift is to hear Ligeti in Ligeti even when he couldn’t hear it in himself...The First Quartet is Tom and Jerry in black and white, the Second is their Technicolor reincarnation,... — Gramophone Magazine, November 2015 More…

Dynamics and accents are keenly observed, without exaggeration. Gut strings and confined use of vibrato create a lean, lithe sound – characteristics that suit the Purcell too, in transcriptions... — The Guardian, 22nd July 2023 More…

Overall, I’d say they’re exemplary, and especially delightful in their telling of Haydn’s impish jokes. The Dudoks will make you laugh out loud with their stuttering stops and starts, and every... — Fanfare, March/April 2021 More…

Always alert to Haydn’s myriad caprices, they introduce some perfectly placed, sinuous phrasing in the third movement of No. 3 in G minor, and real verve and colour in its brilliant allegretto. — The Observer, 6th October 2019 More…