Onyx

With some discs, you can just tell that everything’s going to go like a dream… The freshness and spontaneity of these interpretations is unfaltering, as is the instantaneous rapport and subtle,... — Gramophone Magazine, December 2019 More…

Karabits and Ehnes share a powerful idea of [the Britten's] narrative, and each scene is vividly realised...Karabits draws searing clarity, balance and detail from the Bournemouth Symphony Orchestra...his... — BBC Music Magazine, July 2013, 4 out of 5 stars More…

Lazić is a fine musician, and plays both solo pieces thoughtfully and imaginatively…The presence of a conductor…might have produced a more integrated and compelling account [of the Concerto];... — BBC Music Magazine, August 2018, 4 out of 5 stars/5 out of 5 stars More…

A spacious performance, enthralling and poetic: it leaves behind the world of happy Viennese music-making. Instead, we have a view of the Octet as one of Schubert's major achievments, sharing... — Gramophone Classical Music Guide, 2010 More…

The light, textured baritone of Florian Boesch finds excellent employment in this Schubert collection, flawlessly accompanied by Malcom Martineau. — BBC Music Magazine, August 2016, 4 out of 5 stars More…

The London Handel Orchestra and Soloists, under the assured direction of Adrian Butterfield, offer lightly-articulated and texturally lucid performances, where Grace Davidson’s limpid A major... — BBC Music Magazine, March 2019, 4 out of 5 stars More…

Karabits elicits thrillingly bright tone from the Bournemouth players who take naturally to the off-beat rhythms and joyful, holiday atmosphere of both ballets. The strings are rich-toned in... — Classic FM Magazine, February 2011, 3 out of 5 stars More…

Yeol Eum Son’s technique is formidable: she takes on the technical horrors of the Fantasie’s middle movement with breathtaking elegance and confidence. But when you’re as accomplished as she... — BBC Music Magazine, July 2020, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…