Browse: Choral, Carissimi (composer)
This page lists all classical by Giacomo Carissimi (1605–74), in genre: Choral.
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Sara Mingardo: Monteverdi, Vivaldi & Handel
Sara Mingardo (contralto)
Concerto Italiano, Rinaldo Alessandrini
A genuine contralto with accompaniments of vivid spontaneity by Rinaldo Alessandrini — More…
Awards:
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BBC Music Magazine, March 2005, Choral & Song Choice
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Gramophone Magazine, December 2004, Editor's Choice
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Awards:
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Building a Library, May 2010, First Choice (as SACD)
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La bella piu bella
Songs from early baroque Italy
Roberta Invernizzi (soprano) & Craig Marchitelli (archlute & theorbo)
This is vocal writing that thrives on extremes: complex, emphatic, dissonant and brilliantly embellished...Invernizzi is a fearless singer. Some notes are stripped violently dry and thin, others... — More…
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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I have never heard accompanying continuo played so dramatically or for that matter such committed singing in this repertoire. These are dramatized performances. Not only have these singers and... — More…
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Carissimi: Jonas
Barbara Christina Steude (vocals), Matthias Lutze (vocals), Matthias Gerchen (bass), Sabine Goetz (soprano)
Lautten Compagney, Capella Angelica, Wolfgang Katschner
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Offer,
Italian Vocal Music Catherine Bott, Philip Pickett (recorder), Pavlo Beznosiuk (violins), Frances Kelly (harp), David Roblou (harpsichord) and Nigel North (lute, theorbo and guitar).
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Angel Dances
Angel Dances combines voices and instruments in sacred music from many backgrounds. A wide emotional range of repertoire from the cool serenity of Debussy’s ‘Submerged Cathedral’ to the passion of Piazzolla’s Angel trilogy. .
Markus Stockhausen (trumpet) & Jocelyn B.Smith (voice)
The 12 Cellists of the Berlin Philharmonic & Members of the Rundfunkchor Berlin Choir
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Quella Fiamma - Arie Antiche
Nathalie Stutzmann (contralto/musical direction), Shai Kribus (oboe), Patrick Langot (cello), Marie-Domitille Murez (harp) & Miguel Rincòn (theorbo)
Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even outside... — More…
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