Browse: Choral, Blow (composer)
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Elegy – Countertenor duets by Purcell & Blow
Iestyn Davies, James Hall (countertenors)
The King’s Consort, Robert King
Davies is the headline artist on the cover; but in fact he duets with James Hall on notably equal terms, the two voices subtly differing in timbre but compatible in articulation and expressivity.... — More…
Awards:
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Gramophone Magazine, Awards Issue 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Gramophone Awards, 2020, Shortlisted - Recital
CD
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John Blow: Symphony Anthems Choir of New College Oxford & St James’ Baroque (on period instruments)
An assured synthesis of elegant musicality, judicious ear for contrapuntal detail and informed scholarship...All the works are given splendid performances which not only remind us that there... — More…
Awards:
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Gramophone Magazine, September 2016, Editor's Choice
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Gramophone Awards, 2017, Shortlisted - Baroque Vocal
CD
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Blow: An Ode on the Death of Mr Henry Purcell Recommended& other works
Emma Walshe (soprano), Zoë Brookshaw (soprano), Samuel Boden (tenor), Thomas Walker (tenor), William Gaunt (bass)
Arcangelo, Jonathan Cohen
Duets for high tenor seem to have been something of a Blow speciality…and in Samuel Boden and Thomas Walker, director Jonathan Cohen has harnessed a quintessentially English sound whose lyricism... — More…
Awards:
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Gramophone Magazine, October 2017, Editor's Choice
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BBC Music Magazine, December 2017, Choral & Song Choice
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Presto Editor's Choice, September 2017
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Presto Recordings of the Year, Finalist 2017
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BBC Music Magazine Awards, 2018, Finalist - Vocal
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Record Review, 21st October 2017, Recording of the Week
CD
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These uplifting Baroque anthems are the high-water mark of music for royalty. More pomp and swagger may be found elsewhere, but Justin Doyle leads lively and stylish performances. — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Choral
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Can be recommended without reservation … the wonderful By beauteous softness, from Queen Mary’s Birthday Ode of 1689, given this performance, I could quite easily listen to for ever … there’s... — More…
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Countertenor duets by Purcell & Blow James Bowman (countertenor) & Michael Chance (countertenor)
The King’s Consort, Robert King
Such complementary voices, Chance fine-drawn, Bowman a touch richer, more coloured, are ideal in this selection of inventive duets. Blow's Ode on Purcell's death is particularly fine, intensely... — More…
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Coronation Music for King James II The Choir of Westminster Abbey, The English Concert, Simon Preston
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A Painted Tale Nicholas Phan (tenor), Michael Leopold (lute), Ann-Marie Morgan (viola da gamba)
here's a disc disc to remember come all those end-of-year round-ups... There's a directness to Phan's delivery, a clarity to his diction that has previously found its home in Britten's text-driven... — More…
Awards:
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Gramophone Magazine, April 2015, Editor's Choice
CD
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The Artistry of Emma Kirkby Emma Kirkby (soprano) with Jakob Lindberg (lute), Lars Ulrik Mortensen (harpsichord), Anthony Rooley (lute), Agnès Mellon (soprano), John Abberger (oboe), Thomas Georgi (viola d’amore), Lucas Harris (lute) & Mime Yamahiro Brinkmann (cello)
London Baroque, Royal Academy of Music Baroque Orchestra...
…it's often in the modest-looking pieces that she's at her most compelling. Robert Johnson's Full Fathom Five is 109 seconds of breathtaking stillness and beauty, Böddecker's Natus est Jesu... — More…
Awards:
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Gramophone Magazine, July 2009, Re-issue of the Month
4 CDs
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Mead’s theatrical experience comes through most clearly in his dramatic rendering of some of the songs from the odes…The stage songs are often presented with an affecting fluidity, as in William... — More…
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