Robert Trevino
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The strengths of this performance immediately leap out in the warm, sinuous opening to Fountains of Rome, with elegant, sensuous woodwind solos and, at the opening of the second movement, in... — More…
Awards:
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Gramophone Magazine, November 2023, Editor's Choice
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This is a lovely cycle. Max Bruch’s reputation still surely rests on his First Violin Concerto and on the Scottish Fantasy. That won’t change. But Bruch’s special brand of solemnity, his blossoming... — More…
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Beethoven the 5th: 13 Times the Same and 13 Times Different
Konstantin Scherbakov (piano)
Wiener Philharmoniker, Saarbrücken Radio Symphony Orchestra, Vienna Pro Musica Orchestra, SWR Sinfonieorchester des Südwestrundfunks, Hanover Band, Kölner Kammerorchester, SWR Symphonieorchester, Radio-Sinfonieorchester Stuttgart des SWR, Danish Chamber Orchestra,...
2 CDs
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Ravel: Bolero, La Valse, Rapsodie espagnole, Alborada del gracioso & Pavane
Basque National Orchestra, Robert Trevino
The discipline and quality of the playing is immediately evident in La valse…Yet the salient quality of Trevino’s approach is his preference for slowish tempos and the care he brings to details... — More…
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Beethoven: Symphonies Nos. 1-9
Kate Royal (soprano), Christine Rice (mezzo-soprano), Tuomas Katajala (tenor), Derek Welton (bass-baritone), Malmö Symphony Orchestra and Chorus, Robert Trevino
The opening of the First Symphony immediately shows the impact on Trevino of historically-informed performance...The orchestral balance is often heavily in favour of the winds, especially the... — More…
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