Christoph Eschenbach
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Saint-Saëns: Cello Concerto No. 1 - Franck, Fauré & Poulenc
Bruno Philippe (cello), Frankfurt Radio Symphony Orchestra, Christoph Eschenbach, Tanguy de Williencourt (piano)
Philippe possesses a lovely tone in lyrical items such as Fauré’s Romance and Après un rêve, and technically is well up to all the challenges. His best interpretation is of the Poulenc Cello... — More…
Awards:
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Gramophone Magazine, January 2024, Recording of the Month
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It’s every bit as exciting as the first volume...[No. 4] opens with a pungent fanfare, its colours stemming from jazz-band instrumentation and the absence of orchestral violins. Stephen Waarts... — More…
Awards:
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BBC Music Magazine, December 2020, Concerto Choice
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Rachmaninoff: Rhapsody on a Theme of Paganini & Poulenc: Organ Concerto
Cameron Carpenter (organ)
Konzerthausorchester Berlin, Christoph Eschenbach
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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Opus Klassik Awards, 2020, Winner - Concerto (Organ)
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Fazil Say: Complete Violin Works
Friedemann Eichhorn (violin), Fazıl Say (piano)
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Christoph Eschenbach
The results comprise on the one hand an exciting interweaving of cultures but, on the other, a raid on the store cupboard of musical clichés. Both extremes co-exist in these four works, which... — More…
Awards:
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Presto Editor's Choice, August 2020
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Schumann: Violin Sonata No. 2, Op. 121 & Phantasie for Violin & Orchestra, Op. 131
Iskandar Widjaja (violin), Christoph Eschenbach (piano)
Deutsches Symphonie-Orchester Berli
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Weber
Martin Helmchen (piano), Anna Prohaska (soprano), Konzerthausorchester Berlin, Christoph Eschenbach
In these performances with the admirable Konzerthaus Orchestra, what emerges above all is the uniquely glowing sound of Weber’s orchestration, with its very special use of horns and winds. — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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Elgar & Schnittke - Viola Concertos David Aaron Carpenter (viola)
Philharmonia Orchestra, Christoph Eschenbach
I wasn’t expecting the breadth of the concerto’s opening to be as successfully captured, not just in Carpenter’s plangent, vocal sound, but with the intimate warmth of the Philharmonia, and... — More…
Awards:
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Gramophone Magazine, October 2009, Editor's Choice
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Saariaho - Notes On Light, Orion & Mirage Karita Mattila (soprano) & Anssi Karttunen (cello)
Orchestre de Paris Orchestre de Paris, Christoph Eschenbach
Saariaho has always had an extraordinary ear for a beauty of sound, best described in terms of light. …performances have that extra edge which live recording brings. — More…
Awards:
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Gramophone Magazine, November 2008, Editor's Choice
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Hindemith: Violinkonzert, Symphonic Metamorphosis & Konzertmusik, Op. 50 RecommendedMidori Goto (violin)
North German Radio Symphony Orchestra, Christoph Eschenbach
Midori taps into the msuic's vein of anxiety, delivering taut sinewy playing in the outer movements and bringing lyrical eloquence to the more reflective passages...Eschenbach is absolutely... — More…
Awards:
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Grammy Awards, 56th Awards (2013), Best Classical Compendium
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Mozart: Sinfonia Concertante for Violin, Viola & Orchestra in E flat major, K364, etc.
Midori (violin), Nobuko Imai (viola), Christopher Eschenbach (piano)
NDR Symphony Orchestra, Christoph Eschenbach
Awards:
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Gramophone Magazine, October 2001, Editor's Choice
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