Pleyel

Mozart’s work itself is naturally the finest of all, notwithstanding doubts as to its authorship. It gets a performance as fine as any you’re likely to hear…The Munich Chamber Orchestra provide... — Gramophone Magazine, July 2018 More…

Manfred Huss and his brilliant period band - with gleefully whooping, rasping horns - relish to the full the colour and crackling energy of these overtures, without short-changing the delicate... — Gramophone Magazine, Awards Issue 2009 More…

there is much to delight in the four works presented here, with charm, virtuosity and vivaciousness in abundance. The use of period instruments gives a pleasing airiness to textures. — Gramophone Magazine, Awards Issue 2011 More…

The euphonious Basel soloists blend and dovetail sensitively in all three works, and reveal plenty of individual personality. The Holzbauer is enlivened by a discreetly inventive fortepiano... — Gramophone Magazine, August 2017 More…

…these quartets, while lacking the ultimate depth of a Haydn or a Mozart, offer something more than the simply 'pleasing'. The outer movements display strong features and the occasional surprising... — Gramophone Magazine, April 2006 More…