Lucy Wakeford
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Panufnik’s works present varied sound worlds, luminous settings of sacred texts and, in the title track, traces of Celtic folksong. Celestial Bird sets a mystical poem by Carmelite nun Jessica... — More…
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Clausen & Paulus: Calm on the listening ear of night
& other choral works
with Leilani Barratt (alto), with Lucy Wakeford (harp), Sanda Audere (soprano), Rachel Gough (violin), with Sanda Audere (soprano), with Sophie Edwards (soprano)
Royal Holloway Choir, Rupert Gough
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A Ceremony of Carols Choir of the Queen's College, Oxford, Owen Rees, Lucy Wakeford (harp)
The Choir of the Queen's College Oxford
Light, agile and bright, The Queen’s Choir are a good advertisement for the traditional Oxbridge sound. Their upper voices – no countertenors here, incidentally – are fresh and agile, youthful... — More…
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Great Operatic Arias 11 - Elizabeth Futral
Sung in English
Elizabeth Futral (soprano)
Philharmonia Orchestra, Steven White
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Christmas Adagios Leontyne Price (soprano), Luciano Pavarotti (tenor), Rosemary Joshua (soprano), Ian Bostridge (tenor), Mark Tinkler (treble), Kiri Te Kanawa (soprano), Marilyn Horne (mezzo-soprano), Renata Tebaldi (soprano), Simon Preston (organ), Agnes Giebel (soprano), Eduardo Fernández (guitar), Julian Podger...
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Hallelujah - Best of Händel
Royal Philharmonic Orchestra, E. Power Biggs (organ), Collegium Aureum, Lucy Wakeford (harp), London Festival Orchestra, English Chamber Orchestra, New York City Opera Orchestra, Eugenia Earle (harpsichord), Julius Rudel (harpsichord), Julius Rudel & New York City Opera Orchestra, New York City...
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Britten: Canticles I-V
Ben Johnson (tenor), James Baillieu (piano), Christopher Ainslie (countertenor), Benedict Nelson (baritone), Martin Owen (horn) & Lucy Wakeford (harp)
the expressive nuance of James Baillieu's piano accompanying is reminiscent of Britten's own...Johnson is at his best in Still Falls the Rain and in The Death of Narcissus, in writing that reveals... — More…
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