Camilla Nylund
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Strauss: Die Frau ohne Schatten
Stephen Gould (Der Kaiser), Camilla Nylund (Die Kaiserin), Wolfgang Koch (Barak, der Farber), Nina Stemme (Die Farberin), Evelyn Herlitzius (Die Amme), Sebastian Holecek (Geisterbote)
Wiener Staatsoper, Christian Thielemann
Stemme is focussed and expressive, and if Koch sometimes seems underpowered, that is only through comparison to her. Herlitzius is similarly impressive, and she and Stemme are sufficiently distinct... — More…
Awards:
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Gramophone Magazine, August 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Gramophone Awards, 2021, Shortlisted - Opera
3 CDs
$34.00Downloads
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Wagner: Lohengrin
Klaus Florian Vogt (Lohengrin), Camilla Nylund (Elsa), Katarina Dalayman (Ortrud), Evgeny Nikitin (Friedrich von Telramund), Falk Struckmann (Heinrich der Vogler)
Royal Concertgebouw Orchestra, Netherlands Radio Choir, Dutch National Opera Chorus, Mark Elder
This is in some ways the finest modern recording of Lohengrin, in the first place on account of Sir Mark Elder’s superbly detailed, passionate and large-scale conducting of the Royal Concertgebouw... — More…
Awards:
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Presto Editor's Choice, April 2017
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Record Review, 6th May 2017, Recording of the Week
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Korngold: Die Tote Stadt
Camilla Nylund (Marietta), Klaus Florian Vogt (Paul), Finnish National Opera, Mikko Franck
The USP here is Finnish soprano Camilla Nylund apparently in the form of her life, radiant and effortless as she consistently powers and floats above Korngold’s thrillingly noisy orchestra,... — More…
Awards:
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International Classical Music Awards, 2023, Nominated - Opera
2 CDs
$20.00Downloads
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Strauss: Capriccio
Camilla Nylund (Countess), Christoph Pohl (Count), Daniel Behle (Flamand), Nikolay Borchev (Olivier), Georg Zeppenfeld (La Roche)
Sachsische Staatskapelle Dresden, Christian Thielemann, Jens-Daniel Herzog
[Behle] is simply perfect both vocally and dramatically...Nylund’s opulent soprano as a handsome Countess Madeleine is best when she can billow, and the final scene rises to something remarkable...Thielemann... — More…
Awards:
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International Classical Music Awards, 2023, Nominated - Video Opera
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Gramophone Magazine, February 2023, Blu-ray of the Month
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Strauss, R: Der Rosenkavalier
Camilla Nylund (Die Feldmarschallin), Peter Rose (Baron Ochs), Paula Murrihy (Octavian), Hanna-Elisabeth Muller (Sophie)
Dutch National Opera Chorus, Netherlands Philharmonic Orchestra, Marc Albrecht
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Langgaard, R: Antikrist Sten Byriel (bass), Anne Margrethe Dahl (soprano), Helene Gjerris (soprano), Poul Elming (tenor), Johnny van Hal (tenor), Jon Ketilsson (tenor), John Lundgren (baritone), Camilla Nylund (soprano) & Susanne Resmark (mezzo-soprano)
Danish National Symphony Orchestra and Choirs, Thomas Dausdaard
Langgaard’s Antikrist is fabulous – a genuine, undiscovered, eccentric masterpiece — More…
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Vogt: Wagner
Klaus Florian Vogt (tenor), Camilla Nylund (soprano)
Bamberger Symphoniker, Jonathan Nott
On this disc, he sings things he would never perform in the theatre, his obvious characteristic being an ethereal quality ideally suited to Lohengrin. It casts new light on Walther in Meistersinger... — More…
CD
$17.50 -
Janácek: Jenufa
Camilla Nylund (Jenůfa), Evelyn Herlitzius (Kostelnička), Stuart Skelton (Laca), Ladislav Elgr (Števa), Hanna Schwarz (Grandmother Buryjovka) Jan Martiník (Stárek)
Staatskapelle Berlin, Sir Simon Rattle, Damiano Michieletto
Rattle secures playing of imposing lyrical sweep and power from the Staatskapelle. The conductor provides the foundations for a superb musical performance all round, the power of which is ably... — More…
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Strauss, R: Elektra
Michaela Schuster (Klytämnestra), Evelyn Herlitzius (Elektra), Camilla Nylund (Chrysothemis), Hubert Delamboye (Aegisth) & Gerd Grochowski (Orest)
Netherlands Philharmonic Orchestra & Toonkunst Choir Amsterdam, Marc Albrecht
If there's such a thing as an anti-Solti Elektra, this is it...[it] burns at its own distinctive temperature, with a strong sense of live-performance through-line and in a much more orchestrally... — More…
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On this disc, he sings things he would never perform in the theatre, his obvious characteristic being an ethereal quality ideally suited to Lohengrin. It casts new light on Walther in Meistersinger... — More…
Downloads
What are FLAC and MP3?
