John Relyea
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Berlioz: Benvenuto Cellini
Gregory Kunde (Cellini), Laura Claycomb (Teresa), Darren Jeffery (Balducci), Andrew Kennedy (Francesco), Isabelle Cals (Ascanio), John Relyea (Pope Clement VII), Peter Coleman-Wright (Fieramosca), Jacques Imbrailo (Pompeo)
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
The combination of technology and the conductor's unimpaired élanmakes for glowing textures and shattering climaxes. — More…
Awards:
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Gramophone Magazine, August 2008, Editor's Choice
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Bartók: Duke Bluebeard's Castle
Michelle DeYoung (mezzo), John Relyea (bass)
Bergen Philharmonic Orchestra, Edward Gardner
Gardner is extremely good at the ‘big moments’…But Bartok seeks extreme, unspoken reaches of the soul and the Bergen Philharmonic does not always seem to seek them with him…The two singers are... — More…
Awards:
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Opera, January 2020, Disc of the Month
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Mozart: La clemenza di Tito, K621
Rainer Trost (Tito), Magdalena Kozená (Sesto), John Relyea (Publio), Hillevi Martinpelto (Vitellia), Lisa Milne (Servilia), Christine Rice (Annio), Ronald Schneider (fortepiano)
Scottish Chamber Orchestra & Scottish Chamber Orchestra Chorus, Sir Charles Mackerras
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Britten: Billy Budd
RecommendedNathan Gunn (Billy), Ian Bostridge (Captain Vere), Gidon Saks (Claggart), Neal Davies (Redburn), Jonathan Lemalu (Flint), Matthew Rose (Ratcliffe), Andrew Kennedy (Novice), Matthew Best (Dansker), Roderick Williams (Novice's Friend)
London Symphony Orchestra and Chorus, Daniel Harding
…this is a good, often exciting performance, but Hickox and especially Britten are hard acts to follow. — More…
Awards:
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Grammy Awards, 52nd Awards (2009), Best Opera Recording
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Meyerbeer: Robert Le Diable
Bryan Hymel (Robert), Patrizia Ciofi (Isabelle), John Relyea (Bertram), Marina Poplavskaya (Alice), Nicolas Courjal (Alberti), David Butt Philip (Master of Ceremonies), Pablo Bemsch (Second Chevalier/Herald), Ashley Riches (Prince of Granada), Jihoon Kim (Fourth Chevalier/Priest), Jean-Francois Borras...
Meyerbeer's vocal writing demands virtuoso singing, and receives that here. Bryan Hymel hurls himself unstintingly at the title role, impossible high notes and all. Marina Poplavskaya suggests... — More…
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Mozart: Idomeneo, K366
Ian Bostridge (Idomeneo), Lorraine Hunt Lieberson (Idamante), Lisa Milne (Ilia), Barbara Frittoli (Elettra), Anthony Rolfe Johnson (Arbace), Paul Charles Clarke (Gran Sacerdote), John Relyea (La Voce di Nettuno), Felicity Hammond, Louise Innes (Due Cretesi), James Gilchrist, Matthew Brook (Due Troiani)
Scottish...
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Davis was seemingly Berlioz’s disciple on earth, and this was the glorious late flowering of his love for the composer…Les Troyens crackles with a theatricality that outshines even the pioneering... — More…Awards:
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International Classical Music Awards, 2019, Nominee - Best Collection
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LSO on the Big Stage
Barry Tuckwell (horn), Gregory Kunde (tenor), Andrew Foster-Williams (bass-baritone), Andrew Kennedy (tenor), Simon O'Neill (tenor), Gerald Finley (bass-baritone), Lars Woldt, Christine Brewer (soprano), Laura Claycomb (soprano), Peter Coleman-Wright (baritone), Darren Jeffery (bass-baritone), John...
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Poulenc: Le Voix Humaine & Bartók: Duke Bluebeard's Castle
Barbara Hannigan (Elle), Ekaterina Gubanova (Judit), John Relyea (Bluebeard)
Paris Opera Orchestra, Esa-Pekka Salonen, Krzysztof Warlikowski
A solid, uncontroversial staging of Duke Bluebeard’s Castle which works well – with two outstanding performers – bonded to a perverse one of Poulenc’s monodrama which does not. — More…
Awards:
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International Classical Music Awards, 2019, Winner - Video Performance
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Poulenc: Le Voix Humaine & Bartók: Duke Bluebeard's Castle
Barbara Hannigan (Elle), Ekaterina Gubanova (Judit), John Relyea (Bluebeard)
Paris Opera Orchestra, Esa-Pekka Salonen, Krzysztof Warlikowski
A solid, uncontroversial staging of Duke Bluebeard’s Castle which works well – with two outstanding performers – bonded to a perverse one of Poulenc’s monodrama which does not. — More…
Awards:
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International Classical Music Awards, 2019, Winner - Video Performance
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