SWR Sinfonieorchester Baden-Baden und Freiburg

[2013 performance] This isn’t a slow march to nowhere. Once you adjust, you find yourself hearing Mahler’s music as Celibidache might
have conducted it. An extreme treatment matches extreme... — Fanfare, January/February 2020 More…

[The Mozart concertos with Rosbaud are] sincerely expressed, perfectly balanced and precisely executed. The transfers, taken from clean original mono tapes, are excellent. — Gramophone Magazine, July 2020 More…

The Concerto italiano is not the breezy, pseudo-Victorian piece that its title might suggest; indeed, it is rather a melancholic work...[I profeti is] a rather more lively and colourful work...Its... — Gramophone Magazine, April 2015 More…

The woodwind-playing is brilliantly characterful and vivid; the strings, more silky than velvety, are no less alive and responsive, and Roth coaxes some exquisitely tender phrasing from them...Above... — Gramophone Magazine, April 2017 More…

The Concerto is a portrait of Louis Soutter, who studied the violin with Ysaÿe, and later became a painter of dark pictures… Holliger quotes the opening of this particular sonata in distorted... — BBC Music Magazine, September 2004, 5 out of 5 stars More…

the recording is particularly effective in its balancing of the disparities, always managing to convey the forceful lyricism that makes Schoenberg's fervent response to the biblical drama so... — Gramophone Magazine, Awards Issue 2014 More…

the combination of his muscly, forward-moving approach, with not an ounce of fat on it, and perhaps most stunning engineering accorded to the master orchestrator yet, mean that both the mock-epic... — BBC Music Magazine, October 2013, 4 out of 5 stars More…