Mark Bebbington

Pride of place foes to Joubert's 1977 Second Quartet, an impressive piece played with great conviction by the Brodsky Quartet, in the best recording of the set. — BBC Music Magazine, Proms 2007, 4 out of 5 stars More…

[Dale's Sonata] needs a pianist of Bowen's prowess to pull it off and Mark Bebbington does so triumphantly. — Gramophone Magazine, October 2010 More…

Bebbington brings out the opalescent harmonies and wayward phrases of these pieces to perfection, and deftly charaterises the various songsters in The Hedgerow. Perhaps the expressive high-points... — BBC Music Magazine, August 2011, 5 out of 5 stars More…

Here is Stanford’s idiom at its most likeable, and least prolix…the Dante’s performances offer verve and precision, with immaculate recorded sound to match — BBC Music Magazine, February 2017, 4 out of 5 stars More…

Its dramatic juxtapositions of Lisztian piano cadenzas with VW’s setting for choir and orchestra of Thomas Ravenscroft’s 17th-century psalm tune are stirringly captured on this new recording,... — BBC Music Magazine, January 2023, 4 out of 5 stars More…

All told, a delectable addition to the Poulenc discography. — BBC Music Magazine, August 2021, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Ian Venables is a curiosity, which is not necessarily a bad thing. Born in 1955, he composes in a style that for many would appear hopelessly outdated...Yet he carries this off without the results... — BBC Music Magazine, February 2011, 4 out of 5 stars More…

[the Introduction and Fugue] is given a fiery account by Mark Bebbington and Rebecca Omordia. Their thunderous triple forte chords strike with terrifying force in the close recording…an essential... — BBC Music Magazine, July 2017, 3 out of 5 stars More…