Mari Kodama
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The Sugar Plum Fairy sounds as delicate on piano as for the celesta or the original orchestration, and the delicious Pas de deux loses nothing in translation...An enjoyable way to encounter... — More…
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Right from the very quick and energetic start of Sleeping Beauty’s Introduction, you know that the Kodamas’ performance will be very special. As the music unfolds, you hear their great attention... — More…
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Tchaikovsky: Famous Pieces
Olivier Bombrun (cornet), Bogdan Zvoristeanu (violin), François Guye (cello), Notburga Puskas (harp), Mari Kodama (piano), Momo Kodama (piano), Julia Fischer (violin), Yakov Kreizberg (piano), Denis Kozhukhin (piano), Johannes Moser (cello)
Kazuki Yamada, Alexander Vedernikov, Marco Boni, Mikhail...
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French Classical Selections
Sean Shibe (guitar), Matt Haimovitz (cello), Mari Kodama (piano), Ana de la Vega (flute), Paul Rivinius (piano), Inon Barnatan (piano), Hanna-Elisabeth Müller (soprano), Juliane Ruf (piano), Annelien van Wauwe (clarinet), Magdalena Kozená (mezzo-soprano), Wolfram Brandl (violin), Rahel Maria Rilling...
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De Falla: Noches en los jardines de Espana; El sombrero de tres picos
Mari Kodama (piano), Sophie Harmsen (mezzo-soprano)
Orchestra de la Suisse Romande, Kazuki Yamada
Yamada’s nuanced approach suits Noches uncommonly well. Falla’s fine-grained shifts in colour and sonority are immaculately judged, textures clean yet sensual…Mari Kodama judiciously combines... — More…
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Kent Nagano - Stravinsky
Susan Roberts (soprano), David Goodman (percussion), Micaela Bonetti (mezzo-soprano), Bernard Winter (percussion), Ludwig Nilsson (percussion), Jacques Hostettler (percussion), Stephane David (percussion), Andrew Ball (piano), Momo Kodama (piano), Mari Kodama (piano), Peter Frankl (piano), Michel...
[Les Noces] Without sacrificing the shouting and vocal sliding occasionally called for, the singing here is mellifluous and in tune. The chorus is small enough to be intelligible, and the spirit... — More…
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