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Latest News: Classical

  • Recording of the Week, Beethoven's Diabelli Variations from Paul Lewis

    by Chris O'Reilly

    Following his masterly traversals of the complete piano concertos and sonatas, the British pianist imbues the Diabelli Variations with humour, exuberance and poetic beauty in a recording which stands comparison with his mentor Alfred Brendel.

  • Recording of the Week, New DVDs from Glyndebourne

    by Chris O'Reilly

    South African baritone Jacques Imbrailo is endearing and compelling in the title-role of Billy Budd (directed by Michael Grandage), whilst Gerald Finley is an elegantly rakish Don Giovanni in Jonathan Kent’s 1950s staging.

  • Recording of the Week, Handel's Ariodante

    by Katherine Cooper

    Joyce DiDonato sings the title-role on Alan Curtis’s recording of Handel’s Scottish opera, with Marie-Nicole Lemieux as the dastardly Polinesso and Karina Gauvin as the woman they both love.

  • Recording of the Week, Daniel Barenboim plays Chopin and conducts Tchaikovsky

    by Chris O'Reilly

    The pianist joins Andris Nelsons and the Staatskapelle Berlin for the two Chopin piano concertos, and conducts an electrifying Pathétique with the West-Eastern Divan Orchestra, which he co-founded with the late Edward Said.

  • Recording of the Week, Fliter and Ibragimova excel in Beethoven

    by Chris O'Reilly

    Ingrid Fliter records the Piano Sonatas Nos. 8, 17 and 23 on Warner Classics, and Alina Ibragimova and Cédric Tiberghien continue their excellent series of the violin sonatas on Wigmore Hall Live.

  • Recording of the Week, Julia Lezhneva sings Rossini

    by Katherine Cooper

    Katherine enjoys a hugely promising debut solo album from the Russian soprano (who was just nineteen when the recording was made), including arias from La cenerentola, La donna del lago and Guillaume Tell with Marc Minkowski and Sinfonia Varsovia.

  • Recording of the Week, Lully’s Bellérophon

    by Chris O'Reilly

    Christophe Rousset presides over a splendidly elegant account of Lully’s 1679 opera, with Cyril Auvity in the title-role, and Les Talens Lyriques on vigorous form.

  • Recording of the Week, Rachmaninov's Second Symphony

    by Chris O'Reilly

    Antonio Pappano and the Orchestra dell’Accademia Nazionale di Santa Cecilia bring unrivaled passion and commitment to the 1907 symphony in this live recording made in Rome in 2009.

  • Recording of the Week, Suk's Asrael Symphony

    by Chris O'Reilly

    In one of his last performances with the Czech Philharmonic Orchestra, the late Sir Charles Mackerras conducts a magnificent account of the underrated 1906 symphony, composed in memory of Suk’s mentor and father-in-law Dvořák.

  • Recording of the Week, Pergolesi's Stabat Mater

    by Chris O'Reilly

    Anna Netrebko and Marianna Pizzolato join Antonio Pappano and the Orchestra dell’ Accademia di Santa Cecilia for an unusually full-blooded account of Pergolesi’s best-known work, plus a chamber cantata apiece.

  • Recording of the Week, Striggio: Mass in 40 Parts

    by Chris O'Reilly

    Robert Hollingworth and I Fagiolini give the world premiere recording of the Italian Renaissance composer’s mighty Missa Ecco si Beato Giorno, rediscovered and identified in Paris five years ago, and composed shortly before Tallis’s Spem in alium.

  • Recording of the Week, Tomás Luis de Victoria

    by Chris O'Reilly

    Harry Christophers and The Sixteen marks the 400th anniversary of the Spanish composer’s death with a ‘beautifully sung and superbly recorded’ new album centring on the Missa Alma Redemptoris Mater.

  • Recording of the Week, Lisa Batiashvili - Echoes of Time

    by Chris O'Reilly

    The Georgian violinist makes her debut on Deutsche Grammophon with a program of works by composers whose lives and music were influenced by political upheaval in the former Soviet Union, including Shostakovich, Kancheli and Pärt.

  • Recording of the Week, Kate Royal: A Lesson in Love

    by Chris O'Reilly

    The British soprano and Malcolm Martineau present an eclectic programme of German, French, American and Italian songs tracing a young girl’s first love-affair, including music by Debussy, Liszt, Wolf, Schumann and Bolcom.

  • Recording of the Week, Simon Rattle's new Mahler 2

    by Chris O'Reilly

    24 years after his landmark recording of the ‘Resurrection’ Symphony with Dame Janet Baker and the City of Birmingham Symphony Orchestra, Rattle returns to the piece with the Berliner Philharmoniker, Kate Royal and Magdalena Kožená.

  • Recording of the Week, Percy Grainger

    by Chris O'Reilly

    The fiftieth anniversary of the Australian pianist, composer and all-round eccentric brings reissues of his own recordings on APR and a tribute from Benjamin Britten and friends, plus the Jungle Book from John Mark Ainsley, Polyphony and Stephen Layton.

  • Recording of the Week, Arne: Artaxerxes

    by Chris O'Reilly

    Ian Page and the Classical Opera Company resurrect the British composer’s ornate depiction of skulduggery in Ancient Persia, premiered in London in 1762, with Christopher Ainslie in the title-role and Elizabeth Watts as his firebrand sister.

  • Recording of the Week, Handel and Strauss from Dessay and Damrau

    by Chris O'Reilly

    Dessay trails her imminent performances of Cleopatra in Giulio Cesare in Paris by recording all of the Egyptian queen’s arias with Le Concert d’Astrée and Emmanuelle Haïm, whilst Damrau is sensual in Strauss Lieder with Christian Thielemann.

  • Recording of the Week, Nielsen Symphonies from Colin Davis and the LSO

    by Chris O'Reilly

    At the grand old age of 83, the British conductor ventures into new territory by embarking on a complete cycle of symphonies by the Danish, whose music he has only rarely conducted in the course of his long and illustrious career.

  • Recording of the Week, Robert Schumann

    by Chris O'Reilly

    Piotr Anderszewski pays homage to the composer’s 200th birthday with three relatively rare piano works, whilst Mark Padmore and Kristian Bezuidenhout (performing on an 1837 Érard) bring clarity and crispness to Dichterliebe.