Participatory Sound Art: Technologies, Aesthetics, Politics

Contents

• Chapter 1: Introduction
• 1.1 Sound art and participation
• 1.2 Sound, art, music
• 1.3 Participation, interactivity, collaboration
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• Chapter 2. Histories
• 2.1 Sound, participation and Gesamtkunstwerk
• 2.2 Sound and participation in historical Avantgarde
• 2.3 Sound and participation in the Post-war Avantgarde
• 2.4 Sound and participation after the Cold War
• 2.5 Interactive audio and digital culture
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• Chapter 3. Discourses
• 3.1 Sonic, spatial, social
• 3.2 Sense vs. senses
• 3.3 Sonic pragmatism
• 3.4 Sonic doing: acts and gestures
• 3.5 Creative undergoing: agencies and ecologies
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• Chapter 4. Affordances
• 4.1 Sound artworks as platforms
• 4.2 Aesthetic affordances
• 4.3 Technological environments
• 4.4 Beyond the artwork
• 4.5 Materiality and sociality
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• Chapter 5. Perspectives
• 5.1 Creative agency
• 5.2 Let Us Sing Your Place
• 5.3 Speaker Sculptures
• 5.4 Perspectives on participation
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• Chapter 6. Gestures
• 6.1 Sonic gestures between symbols and actions
• 6.2 Gestures of concern
• 6.3 Gestures of empowerment
• 6.4 Gestures of togetherness
• 6.5 Sounds of the possible
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• Chapter 7. Conclusion
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