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The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact

The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact

  • Author: Bucciarelli, Paolo
  • Author: Martinelli, Dario

Book

$157.75

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Contents

  • Preface
  • 1. Introduction: a short history of The Beatles in the studio
  • 1. 1 Recording strategies, tricks and effects
  • 1. 2 Instrumentation and recurrent techniques
  • 1. 3 The centrality of the studio
  • 2. Style and sound
  • 2. 1 Sound and musical competence
  • 2. 2 The roots of The Beatles sound
  • 2. 3 Later influences
  • 3. On (the difficulty of) defining The Beatles style
  • 3.1. Vocals
  • 3.2. Harmonic solutions
  • 3.3. Melodic solutions
  • 3.4. Rhythmic solutions
  • 3.5. Instruments
  • 3.6. Dynamics
  • 3.7. Sound
  • 3.8. Endings
  • 3.9. Lyrics
  • 4. Crossdisciplinary reflections: production seen from the perspective of multimodality studies, narratology and film studies.
  • 4.1. Visual and literary components in Lennon-McCartney     
  • 4.1.1. Lennon or McCartney 
  • 4.1.2. Lennon and McCartney
  • 4.2. Production as multimodality
  • 4.3. Production and diegesis
  • 4.3.1. Diegesis, non-diegesis, formality, non-formality
  • 4.3.2. Hybrid forms and metadiegesis
  • 4.4. Case-study: feedbacks, false starts and blisters
  • 4.4.1. Redefining the spatial/temporal dimension of a song
  • 4.5. Production as montage
  • 4.5.1. Martin vs. Spector (and Lynne)
  • 4.5.2. Types of production as types of montage
  • 4.6. Case-study: The Fool on the Hill
  • 4.6.1. Creation and production
  • 4.6.2. What kind of fool was the fool on the hill?
  • 4.6.3. The authorial context
  • 4.6.4. Themes, structure and imagery
  • 4.6.5. Musical strategies
  • 4.7. Foreshadowing strategies
  • 5. Birth and fortune of the “Beatlesesque”: Transmission of creativity and legacy
  • 5. 1 A little survey
  • 5. 2 Stylistic features in a nutshell
  • 5. 3 Another little survey
  • 5. 4 Intrinsically-Beatlesesque features
  • 5.4. 1 Different approaches
  • 5.4. 2 Most referenced production elements
  • 5. 5 Conclusions ReferencesIndex of namesIndex of songs/albums