Book
$51.50Out of stock at the UK distributor
Contents
- Foreword, by Steven Feld
- Acknowledgements
- Notes to the English edition
- Linguistic conventions
- Introduction
- Part 1: Musical emotions: When and why do they arise?
- Section 1: Performing for Others, Performing for Oneself
- Chapter 1: The professional ethics of the Roma musicians of Ceua?
- Chapter 2: Village Celebrations
- Chapter 3: How to make music work, how to arouse emotions
- Chapter 4: After the service time to party in tiganie
- Chapter 5: Other occasions when musical emotions can arise in tiganie
- Chapter 6: A musical experience of being inwardly torn apart
- Section 2: Performing for the dead, arousing pity in the living
- Chapter 7: Funerals and the politics of emotion
- Chapter 8: The soundscape of a funeral wake
- Part 2: Why do the Roma of Ceuas cry with music?
- Chapter 9: Musical emotions in the Roma community of Ceuas: a concentric model
- Chapter 10: Performing sorrow
- Chapter 11: Personal tunes
- Chapter 12: Being milos
- Chapter 13: What is musical empathy?
- Chapter 14: Towards an anthropological approach to musical empathy
- Conclusion
- Epilogue
- Glossary
- Bibliography
- Discography
- Filmography
- List of figures
- Index of Audiovisual documents
- Index