Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin

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Introduction: Experiencing Sara Levy's World
Part One: Portrait of a Jewish Female Artist: Music, Identity, Image
What Was the Berlin Jewish Salon Around 1800?
Sara Levy's Musical Salon and Her Bach Collection
Remaining Within the Fold: The Cultural and Social World of Sara Levy
Women's Voices in Bach's Musical World: Christiane Mariane von Ziegler and Faustina Bordoni
Part Two: Music, Aesthetics, and Philosophy: Jews and Christians in Sara Levy's World
Lessing and the Limits of Enlightenment
Poetry, Music, and the Limits of Harmony: Mendelssohn's Aesthetic Critique of Christianity
Longing for the Sublime: Jewish Self-Consciousness and the St. Matthew Passion in Biedermeier Berlin
Part Three: Studies in Sara Levy's Collection
Duets in the Collection of Sara Levy and the Ideal of "Unity in Multiplicity"
The Sociability of Salon Culture and Carl Philipp Emanuel Bach's Quartets
Appendix: The Salonniere and the Diplomat: Letters from Sara Levy to Karl Gustav von Brinckmann
Bibliography
List of Contributors
Index

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Sara Levy née Itzig (1761-1854), a salonnière, skilled performing musician, and active participant in enlightened Prussian Jewish society, played a powerful role in shaping the dynamic cultural world of late eighteenth- and earlynineteenth-century Berlin. A patron and collector of music, she studied harpsichord with Wilhelm Friedemann Bach (1710-84) and commissioned musical compositions from both Friedemann and his brother Carl Philipp Emanuel Bach (1714-88). Archival evidence demonstrates Levy's position as an essential link in the transmission of the music of their father, Johann Sebastian Bach (1685-1750), and as a catalyst for the "Bach revival" of the early nineteenth century, which was led by her great-nephew Felix Mendelssohn. Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin represents the first scholarly exploration of the cultural, political, and aesthetic contexts that shaped Levy's world. Bringing together leading scholars from the fields of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy, this volume presents cutting-edge, multidisciplinary research on the numerous mutually reinforcing aspects of Levy's life and work. Contributors: Rebecca Cypess, Marjanne E. Goozé, Barbara Hahn, Martha B. Helfer, Natalie Naimark-Goldberg, Elias Sacks, Yael Sela, Nancy Sinkoff, George B. Stauffer, Christoph Wolff, Steven Zohn Rebecca Cypess is Associate Professor of Music at Rutgers University. Nancy Sinkoff is Associate Professor of Jewish Studies and History and Director ofthe Center for European Studies at Rutgers University.

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Sara Itzig Levy (1761-1854)...made important contributions to her time as a performer, music collector, salon hostess, and patron . . . Scholars gathered from many fields illuminate her life and interests. The book communicates well. . . . Anyone interested in the topics this collection covers, including music and female musicians, poetry, Enlightenment aesthetics and philosophy, and ethnic identity and assimilation, will want to have this work

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