Eroticism in Early Modern Music
- Author: Blackburn, Bonnie J.
- Author: Stras, Laurie
In sum, Eroticism in Early Modern Music significantly enriches our understanding of musical eroticism during the early modern era —
Book
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Contents
- Contents: Preface
- Introduction: encoding the musical erotic, Laurie Stras
- The lascivious career of B-flat, Bonnie J. Blackburn
- Fa mi la mi so la : the erotic implications of solmization syllables, Leofranc Holford-Strevens
- Unmasking salacious subtexts in Lasso's Neapolitan songs, Donna G. Cardamone
- Imitating the rustic and revealing the noble: masculine power and music at the court of Ferrara, Melanie L. Marshall
- 'The Ways' ( I Modi ) of black-note erotica, Vanessa Blais-Tremblay
- 'Non e si denso velo': hidden and forbidden practice in Wert's Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586), Laurie Stras
- 'Lo Here I Burn': musical figurations and fantasies of male desire in early modern England, Linda Phyllis Austern
- Ovid's ironic gaze: voyeurism, rape, and male desire in Cavalli's La Calisto , Wendy Heller
- 'Precious' eroticism and hidden morality: salon culture and the mid-17th-century French air, Catherine Gordon-Seifert
- Eroticized mourning in Henry Purcell's Elegy for Mary II, O dive custos , Alan Howard
- Index.