Dislocated Memories: Jews, Music, and Postwar German Culture

Contents

• Introduction
• Tina Fruhauf and Lily E. Hirsch
• Part I: Perceptions of Re-presence
• 1. Tina Fruhauf (Adjunct Assistant Professor at Columbia University/Editor at RILM): A Historiography of Postwar Writings on Jewish Music during the 1930s and 1940s
• 2. Joel E. Rubin (Assistant Professor of Ethnomusicology and Director of Music at the University of Virginia, Charlottesville): With an Open Mind and With Respect : Klezmer as a Site of the Jewish Fringe in Germany in the Early Twenty-first Century
• 3. Amy Lynn Wlodarski (Associate Professor of Music at Dickinson College, Carlisle): Musical Memories of Terezin in Transnational Perspective
• Part II: Dislocated Presence
• 4. Bret Werb (Music Curator at the United States Holocaust Memorial Museum, Washington DC): Vu ahin zol ikh geyn? : Music Culture of Jewish Displaced Persons
• 5. Sophie Fetthauer (Research Fellow, Universitat Hamburg), The Katset-Teater and the Development of Yiddish Theater in the DP Camp Bergen-Belsen
• 6. Joshua S. Walden (Faculty of Musicology, Peabody Conservatory of The Johns Hopkins University): Driven from Their Home : Jewish Displacement and Musical Memory in the 1948 Movie Long Is the Road
• Part III: Politics of Memory
• 7. Barbara Milewski (Associate Professor of Music at Swarthmore College), Remembering the Concentration Camps: Aleksander Kulisiewicz and his Concerts of Prisoners' Songs in the Federal Republic of Germany
• 8. David Shneer (Louis P. Singer Professor of Jewish History at the University of Colorado, Boulder), Eberhard Rebling, Lin Jaldati, and Yiddish Music in East Germany, 1949-1962
• 9. Joy H. Calico (Associate Professor of Musicology at Vanderbilt University, Nashville): Jewishness and Antifascism: Schoenberg's A Survivor from Warsaw in East Germany (1958)
• Part IV: Modes of Commemoration
• 10. Florian Scheding (Lecturer in Music at Bristol University), Where is the Holocaust in All of This? Gyorgy Ligeti and the Dialectics of Life and Work
• 11. Sabine Feisst (Associate Professor of Music History and Literature at Arizona State University, Tempe): Re-Presence of Jewishness in German Music Commemorating the Holocaust since the 1980s: Three Case Studies
• 12. Lily E. Hirsch (Independent Scholar, Bakersfield, CA): Germany's Commemoration of the Judischer Kulturbund
• Afterword
• Philip V. Bohlman (Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago/Honorarprofessor at the Hochschule fur Musik und Theater in Hannover)