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Concepts of Creativity in Seventeenth-Century England

  • Editor: Herissone, Rebecca
  • Editor: Howard, Alan
The volume's interdisciplinary approach, contextualizing concepts of creativity across the cultural milieu of seventeenth-century England, is one of its strengths

Book

$128.75

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Contents

  • Introduction - Rebecca Herissone
  • 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court - Andrew R. Walkling
  • Creativity on Several Occasions - James A. Winn
  • Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century - Kirsten Gibson
  • Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor - Stephanie Carter
  • Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries - Raphael Hallett
  • The 'Artificial Sceane': The Re-creation of Italian Architecture in John Evelyn's Diary - Anne Hultzsch
  • Telling what is Told: Originality and Repetition in Rubens's English Works - Marina Daiman
  • Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement - Stephen Rose
  • A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two-Part Airs, Court-Ayres (1655) - John Cunningham
  • 'Creating' Cato in Early Seventeenth-Century England - Freyja Cox Jensen
  • 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity - Amanda Eubanks Winkler
  • Music and Manly Wit in Seventeenth-Century England - Linda Phyllis Austern