Music of the Baroque: An Anthology of Scores

Contents

• Contents
• Preface
• 1 Giovanni Pierluigi da Palestrina: Dum complerentur (motet)
• 2 Orlande de Lassus: Timor et tremor (motet)
• 3 Claudio Monteverdi: Luci serene (madrigal)
• 4 Giulio Caccini: Sfogava con le stelle (continuo madrigal)
• 5 Claudio Monteverdi: Orfeo, Act 2 (opera: selections)
• a. Sinfonia and two arias: Ecco pur ch'a voi ritorno and Mira ch'a se n'alletta
• b. Mira, deh mira Orfeo through chorus, Ahi, caso acerbo
• 6 Pier Francesco Cavalli: Calisto (opera: selections)
• a. Act 1, scenes 4-5 ( Non e maggior piacere )
• b. Act 1, scene 11 ( Piangete, sospirate )
• 7 Barbara Strozzi: Ardo in tacito foco (cantata or strophic aria)
• 8 Alessandro Scarlatti: Correa nel seno amato (cantata: selections)
• a. Sinfonia
• b. Aria Fresche brine
• c. Recitative Ma voi, occhi dolenti and aria Onde belle
• 9 Henry Purcell: From Rosy Bowers (cantata)
• 10 Jean-Baptiste Lully: Armide (opera: selections)
• a. Overture
• b. Act 2, scene 5 (recitative Enfin, il est en ma puissance and air Venez, secondez mes desirs )
• 11 Giovanni Gabrieli: In ecclesiis (concertato motet)
• 12 Heinrich Schutz: Saul, Saul, was verfolgst du mich?, SWV 415 (concertato motet)
• 13 Giacomo Carissimi: Jephte (oratorio: selections)
• a. Cum autem victor Jephte
• b. Cum vidisset Jepthe
• c. Plorate, filii Israel
• 14 Marc-Antoine Charpentier: Frigidae noctis umbra H. 414 (oratorio: first half)
• 15 George Frideric Handel: Orlando (opera: selections)
• a. Act 1, scene 8 (recitative and aria O care parolette )
• b. Act 1, scene 9 (recitative and aria Se fedel vuoi )
• c. Act 1, scene 10 (recitative and aria Fammi combattere )
• 16 Jean-Philippe Rameau: Les indes galantes (opera-ballet: selections)
• a. Nouvelle (quatrieme) entree, scene 3 (beginning)
• b. Nouvelle (quatrieme) entree, from scene 6
• 17 Johann Sebastian Bach: Herr Jesu Christ, wahr'r Mensch und Gott, BWV 127 (sacred cantata)
• 18 George Frideric Handel: Jephtha (English oratorio: selections)
• a. From Part 2, scene 3 (recitative and aria Open thy marble jaws )
• b. From Part 2, scene 4 (chorus How dark, O Lord )
• 19 Ennemond Gaultier, Pieces for Lute
• a. Courante L'immortelle
• b. Allemande (Tombeau de Mesangeau)
• c. Gigue La Poste
• 20 Girolamo Frescobaldi, Toccata 7 from Libro II
• 21 Elizabeth-Claude Jacquet de La Guerre, Suite 3 in A minor (selections)
• a. Prelude
• b. Allemande
• c. [1ere] Courante
• d. Sarabande
• e. Gigue
• 22 Dieterich Buxtehude: Praeludium in A minor, BuxWV 153
• 23 Johann Sebastian Bach: Prelude and Fugue in G, BWV 860, from The Well-Tempered Clavier, Part 1
• 24 Jean Henry d'Anglebert, Francois Couperin, and Jean-Philippe Rameau: Extracts from ornament tables
• 25 Francois Couperin: Vingt-unieme ordre (keyboard suite: selections)
• a. La reine des coeurs
• b. La Couperin
• 26 Salamone Rossi: Sonata sopra La Bergamasca
• 27 Biagio Marini: Sonata variata for violin and continuo
• 28 Heinrich Ignaz Franz Biber: Sonata 5 in E minor for violin and continuo (1681)
• 29 Arcangelo Corelli: Sonata in C for violin and continuo, op. 5, no. 3
• 30 Giuseppe Torelli: Sinfonia in D for trumpet, strings, and continuo, G. 8
• 31 Arcangelo Corelli: Concerto grosso in G minor, op. 6, no. 8, Christmas
• 32 Antonio Vivaldi: Concerto in E for violin, strings, and continuo, op. 3, no. 12 (R. 265)
• 33 Johann Sebastian Bach: Brandenburg Concerto no. 2 in F, BWV 1047