Music and Ideology

Contents

• Contents: Introduction
• Music and ideology: Rameau, Rousseau, and 1789, Charles B. Paul
• The French musical theater: maintaining control in Caribbean colonies in the 18th-century, David M. Powers
• Mozart and Freemasonry, Katharine Thomson
• Beethoven's political music, the Handelian sublime, and the aesthetics of prostration, Nicholas Mathew
• Deconstructing a 'national composer': Chopin and Polish exiles in Paris, 1831-49, Jolanta T. Pekacz
• On Ruslan and Russianness, Marina Frolova-Walker
• Music in Paris during the Franco-Prussian war and the Commune, Jess Tyre
• The old lie, Glenn Watkins
• The composer as intellectual: ideological inscriptions in French interwar neoclassicism, Jane F. Fulcher
• The distorted sublime: music and National Socialist ideology - a sketch, Reinhold Brinkmann
• What is 'Nazi music'?, Pamela M. Potter
• Public lies and unspeakable truth interpreting Shostakovich's 5th symphony, Richard Taruskin
• Beyond the folk song: or, what was Hungarian Socialist Realist music?, Danielle Fosler-Lussier
• Ike gets Dizzy, Penny M. Von Eschen
• Born under a bad sign, Robin Denselow
• Rock and the politics of memory, Simon Frith
• Appropriating the master's tools: Sun Ra, the Black Panthers and Black consciousness, 1952-1973, Daniel Kreiss
• Music under Mao, its background and aftermath, Mao Yu Run
• Power, authority and music in the cultures of Inner Asia, Jean During
• As Plato duly warned: music, politics and social change in coastal East Africa, Kelly M. Askew
• African music, ideology and utopia, Nick Nesbitt
• Brechtian hip-hop: didactics and self-production in post-Gangsta political mixtapes, George Ciccariello Maher
• Political music and the politics of music, Lydia Goehr
• Name index.